Two ICE agents in full tactical gear stand against a green background. One carries a large cylindrical weapon. Speech bubbles show them joking about body cameras and the removal of masks during operations. The scene references ongoing immigration enforcement efforts involving the Department of Homeland Security.
A weather-style alert warns of hazardous snow and ICE conditions. Silhouetted figures appear in distress amid heavy snowfall. The image responds to reports of immigration raids affecting American citizens in Minneapolis and similar cities during January 2026.
Sean Delonas captures Donald Trump as a rotund king lounging on a throne in a dimly lit castle hall, complete with a bishop crowning him with a glowing crown and a scepter in hand. Surrounded by medieval figures like guards, a jester, and courtiers, Trump faces a modern reporter wielding a microphone and notes, demanding to know what gives him the right to just attack other nations. The cartoon blends historical pomp with contemporary critique, tagging into Trump, wars, Iran, Venezuela, press, king, media, counterterrorism, military, policy, and president themes. The dry humor underscores the absurdity of unchecked power, with the artist's signature style emphasizing exaggerated features and satirical edge.
A political cartoon shows a car crashing into a massive ice sculpture spelling FAFO. The image responds to recent incidents involving attacks on ICE agents in sanctuary cities like Minneapolis. The visual uses the acronym to signal consequences for such actions.
Paresh Nath's January 2026 predictions panel series opens with a fortune teller viewing a crystal ball. Subsequent sections show a Trump tornado, an elephant and donkey arguing over the US 250th anniversary, leaders tugging at a globe, a UN figure pondering conflict zones, China boosting influence in the global south, a robot waving a jobs sign amid chaos, workers chasing clean tech, and athletes from USA, Canada and Mexico scrambling for a World Cup football.
Donald Trump appears in athletic attire sprinting on a grassy field while gripping a trophy resembling a soccer award. A globe sits on the turf ahead of him. The scene references his interest in global recognition through sports organizations like FIFA around late 2025.
The cartoon reimagines the Mayflower voyage with an ICE-labeled iceberg in its path. Agents stand ready on the ice as the ship labeled Mayflower approaches under full sail. The top text poses a hypothetical about applying current enforcement standards to 1620 arrivals. Publication falls near Thanksgiving 2025 during heightened focus on deportation operations and border policy.
Bob Englehart's November 20 2025 cartoon shows a courts-robed judge holding the law book and directing attention to a lightning-marked fissure. A cyan liquid labeled authoritarianism drips from the top banner onto the scene. The image underscores judicial efforts to contain threats to democratic norms.
Chief Justice John Roberts appears in judicial robes watering the base of a large tree. The executive branch extends prominently while the judicial and legislative branches appear diminished. The image responds to ongoing debates over Supreme Court rulings on executive authority and immunity claims in late 2025.
The cartoon depicts the Statue of Liberty slumped over her pedestal with the famous inscription crossed out and altered. A speech bubble states the words now feel like a cruel lie. Published November 11 2025 the image responds to ongoing deportation efforts and ICE raids targeting immigrants and asylum seekers.
This political cartoon uses the nursery rhyme 'This Little Piggy' to satirize political corruption, power dynamics, and the manipulation of institutions like Congress and the Supreme Court. Each finger represents a different aspect of political critique, from corruption to the surrender of power, culminating in a commentary on dictatorship. The illustration employs humor and allegory to convey a strong political message about the current state of governance and influence.
