The cartoon depicts two soldiers in different uniforms aiming pistols at each other across a chessboard marked peace negotiations. A large blue banner reading ceasefire hangs above with multiple bullet holes and tears. One soldier declares it is all in the game. The scene illustrates the tension in ongoing Middle East ceasefire efforts involving multiple parties.
A two-panel cartoon contrasts a living room discussion of Eisenhower's order for German civilians to tour Nazi camps after World War II with a suburban scene featuring a large ICE detention facility adjacent to homes. One resident deflects when asked why the historical example was raised. The image highlights proximity of such facilities to neighborhoods and reluctance to acknowledge operations conducted in the community's name.
A man in bed examines a phone displaying a news alert about recent and upcoming events. The scene includes an Uncle Sam style hat and a blanket patterned with stars. The bottom text labels the scene as a morning routine. Publication occurred on May 20 2026.
The image addresses recent Middle East developments involving Iran and nuclear issues by depicting a hospital setting where a labeled bed draws attention from several figures including Trump and a descending bomb carrier.
Jonathan Brown's cartoon presents a stark true-or-false cognitive test: if A (a fighter jet) starts a war with B (Iran), the result could be C (an oil barrel marked $100+). The map of Iran includes a hint pointing to the Strait of Hormuz, noting that 20% of the world's oil moves through there, underscoring control over this chokepoint. Tags such as cognitive test, war in Iran, oil prices, Strait of Hormuz, gas prices, and cost of war frame the satire. The artwork warns of economic fallout from conflict, with the jet trailing toward Iran and the oil barrel symbolizing surging costs. This piece captures geopolitical tensions in a simple, visual riddle.
The cartoon depicts two men at a bar reacting to a Supreme Court decision on the Voting Rights Act. One asks what is left to fix now that racism is declared solved. The image responds to recent rulings affecting redistricting and voter access in states like Louisiana. Justices including Roberts and Thomas are referenced in related tags. The piece highlights ongoing debates over race and electoral rules.
The cartoon shows Donald Trump in Moses robes and holding a staff, standing in the Strait of Hormuz while shouting for the waters to part. Two military officers in the foreground comment on the scene. The image responds to ongoing tensions involving Iran, the strait blockade, and U.S. policy responses as of early May 2026.
The cartoon shows Chief Justice John Roberts holding a sign declaring the U.S. Supreme Court has gutted the Voting Rights Act. A figure in KKK robes stands nearby with a speech bubble claiming white folks were being discriminated against. The U.S. Supreme Court building appears in the background. The image responds to ongoing debates over voting laws and redistricting following recent court decisions. It highlights accusations that the ruling favors certain groups while disadvantaging voters of color.
Michael de Adder's cartoon depicts a bearded man at a bar, hand on forehead, holding a green gin bottle, looking inebriated. Two figures stand behind: one in a suit with sunglasses, another in an FBI jacket. The text reads 'Kash Patel thinks G-man stands for gin man.' Bottles line the shelf, beer taps and glasses on the counter. Tags like Kash Patel, FBI, gin, drinking, alcohol, drunk underscore the visual pun on FBI agents as 'G-men' versus a 'gin man' in a bar setting. The scene captures a straightforward satirical jab without deeper layers visible.
Marco De Angelis draws a caricature resembling Donald Trump, shirtless with a US NAVY life preserver, white shorts, and pirate hat, sitting on a large mine bobbing in blue waters. He holds a telescope to his eye, gazing out, while a small buoy nearby bears a Strait of Hormuz sign. The scene tags USA, IRAN, HORMUZ, NAVY, MINES, OIL, NEGOTIATIONS, FLEET, ALONE, ADMIRAL, MIDDLE EAST, WAR, capturing a sense of solitary watch in troubled seas. The dry humor underscores the absurdity of one man embodying an entire fleet, floating precariously on explosive hardware. Cartoons like this thrive on exaggeration, turning geopolitical standoffs into visual punchlines that newspapers love for their sharability.
The image shows two vultures on a dead tree branch. The larger one carries an Iran sign. The smaller one carries an IRGC sign and declares rejection of any ceasefire. The scene responds to recent Iran negotiations over the Strait of Hormuz and related Middle East conflict developments in early 2026.
On April 6 2026 a cartoon depicts a figure resembling Donald Trump confined in a padded cell wearing a straitjacket and issuing orders to destroy bridges power plants kindergartens and hospitals in Iran. Four officers in green uniforms stand at attention saluting the figure. Discarded syringes lie on the floor. The scene responds to ongoing tensions with Iran and debates over military responses during that period.
The cartoon shows a baby shower cake labeled Born in the USA with a teddy bear wearing a USA cap and a sign asking Citizen or Alien. A second bear clutches a book titled Deportation. The scene plays on ongoing debates over birthright citizenship and immigration enforcement in early 2026.
Arend van Dam's cartoon depicts a massive figure resembling Donald Trump, adorned with a crown and royal robe, perched atop a pedestal marked 'TRUMP.' A diverse group of protesters, holding signs reading 'NO KINGS,' 'NO,' and another 'NO,' tug on ropes attached to the figure's scepter, causing it to tilt as if being toppled in an act of resistance. The scene evokes themes of USA democracy clashing with autocracy, portraying a symbolic revolution against a would-be king or dictator. Protests and demonstrations fill the foreground, highlighting public outcry against unchecked power. Dated 2026, the artwork underscores ongoing concerns about authoritarian tendencies in politics.
Two ICE agents in full tactical gear stand against a green background. One carries a large cylindrical weapon. Speech bubbles show them joking about body cameras and the removal of masks during operations. The scene references ongoing immigration enforcement efforts involving the Department of Homeland Security.
