Rick McKee's cartoon depicts a dimly lit museum where a striped-shirted thief, masked and wielding a hammer, targets a display case with a red gas can marked 'GAS,' overlooking iconic pieces like the Mona Lisa portrait, Venus de Milo statue, a large diamond, Van Gogh-style sunflowers painting, abstract Mondrian-like art, and smaller framed works. An 'EXIT' sign glows above, and a 'no' symbol sign hangs nearby. The scene uses tags such as Trump, war, Iran, gas prices, oil, museum to comment on how escalating fuel costs make gasoline more valuable than cultural treasures, blending humor with commentary on energy crises.
Dale Cummings draws Trump as a boxy gas pump, head topped with a dripping nozzle and $5.55 price tag, frowning in a suit with a green sash screaming Epic Gasoline Fury. Standing on a pedestal, the figure captures the essence of high gas prices tied to War in Iran and Operation Epic Fury. The cartoon skewers oil prices and Strait of Hormuz affordability, blending humor with commentary on economic fallout. It's a straightforward jab at political decisions driving up costs at the pump, rendered in watercolor style for punchy effect. Tags like War in Iran, Operation Epic Fury, oil prices, gas prices, Strait of Hormuz affordability, and affordability underscore the timely critique.
Bruce Plante's cartoon depicts a typical American driver at a gas station, his purple car parked under the canopy, as he reacts with censored profanity to a coin-operated viewer. The sign reads 'TO SEE GAS PRICES DEPOSIT 25¢,' cleverly satirizing how #HighGasPrices have soared beyond easy visibility, like distant sights needing magnification. The man's USA shirt and coffee cup add a relatable everyman touch, emphasizing consumer shock. This piece fits into ongoing #FuelCosts debates, blending #InflationHumor with #EconomicSatire. Plante's style, straightforward and punchy, targets #EnergyPrices and their impact on daily life, making it shareable for #PoliticalCartoons enthusiasts. The dry humor underscores the absurdity without overstatement, a hallmark of syndicated work.
John Darkow's cartoon twists the March Madness tournament bracket into a lineup of global headaches, from gas prices spiking due to Strait of Hormuz tensions and Venezuela instability, to ongoing conflicts in Gaza and Ukraine. Measles outbreaks and climate change join the fray, alongside Cuba relations, Epstein files, ICE policies, and long TSA lines. The scene shows a couple at a table, with the man fretting that it's not just March Madness to worry about—April Anger and May Mayhem loom. A potted daisy and a striped cat add a touch of domestic normalcy to the absurd bracket of woes. This piece captures the relentless parade of news cycle disasters, using at least six tags like March Madness, Strait of Hormuz, Venezuela, measles, gas prices, and Gaza.
Donald Trump appears in the foreground contemplating action on Cuba. Behind him a swirl of labeled elements shows inflation, gas prices, Iran, Venezuela, ICE, and cuts tied to economy and environment. A second figure says no more. The March 2026 cartoon highlights distraction amid multiple pressures.
In a biting political cartoon, a smirking croupier oversees a prediction market table shaped like Iran, complete with explosion graphics, where punters can wager on war duration options ranging from 14 days to 5 years. This satirical take skewers the commodification of geopolitical betting, turning grave matters like Iran war into casino-style gambles. By blending elements of gambling on war with Middle East conflict, the artwork highlights the absurdity of prediction markets applied to real-world crises, offering humorous yet insightful commentary on how society speculates on political humor and potential catastrophes. The irreverent style underscores the folly of treating war length wager as just another market fluctuation.
Kevin Siers captures Donald Trump in a classic meme setup, seated at a table with a mug as fire engulfs the room, a king crown atop his head, uttering \'This is beautiful.\' The tags include tariffs, border, polls, the press, judges, and references to the KC Green \'This is fine\' meme. This political cartoon from 2025 highlights a satirical take on the president\'s first 100 days, showing him oblivious to surrounding destruction. The dry humor underscores denial amid crisis, with the crown symbolizing monarchical pretensions. Apologies to KC Green nod to the original work, blending current events like polls and the press into a visually striking commentary.
A new political cartoon by Pat Bagley published October 2, 2024, in The Salt Lake Tribune depicts former President Donald Trump aboard a boat marked 'TRUMP Flood Relief' navigating floodwaters. Victims of recent hurricanes in Tennessee, North Carolina and Georgia appear submerged while waving Trump campaign flags. The image responds to ongoing criticism of disaster response efforts following Hurricane Helene's landfall in late September. It highlights accusations that political figures prioritized visibility and branding over coordinated federal aid through FEMA. The cartoon uses visual repetition of flags to underscore themes of self-promotion amid crisis.
