The cartoon shows two men in business attire carrying briefcases in front of a large domed building resembling Congress. One wears green, the other gray stripes. They hold cases labeled with dollar signs. The caption questions giving away billions on a $174,000 salary. Visible elements include green bushes, a path, and a small sun. Tags reference Congress, give away, billions, wars, tariffs, inflation, cost of living, and money. The scene focuses on the figures and their dialogue about expenditures.
On May 2 2026 the cartoon depicts the Roberts Court as a bird-like figure shattering the Voting Rights Act. The image shows the court releasing multiple Jim Crow labeled birds into the air. This visual responds to ongoing Supreme Court actions affecting voting access and redistricting rules.
A robed figure marked SCOTUS stands holding a pole attached to a noose around a hanging form marked Voting Rights Act. The scene occurs under a large tree on open ground. Text references appear at the bottom of the image.
Donald Trump appears in a 2026 editorial image holding a paintbrush and bucket while standing on a blue painted area resembling the Strait of Hormuz. The scene responds to ongoing concerns over Iranian oil routes, potential conflict, and resulting effects on global oil and gas prices. The visual shows the figure applying paint that creates a path leading to restricted movement.
The image presents a large black bomb-like object labeled 25 billion and counting with Iran and War text on an attached structure. A small figure appears at the bottom. Tags include Iran war, 25 billion, debt, affordability, war cost, inflation, bomb. The drawing uses bold outlines and minimal background details.
The cartoon depicts a supermarket produce section with green apples, red tomatoes and bottles on shelves. Multiple yellow signs show dollar symbols. Three figures stand by a shopping cart while one points toward the display. The caption references sticker shock previously limited to car dealers. Tags include groceries, prices, inflation and supermarket.
The cartoon depicts a guitarist on a stage with blue curtains and yellow backdrop singing about an unwinnable war with Iran followed by a blockade of the Strait of Hormuz that leads to higher petrol prices. Four audience members sit in the foreground. The scene uses simple lines and watercolor tones to show the performer with a music note floating nearby and a microphone stand to the side.
R.J. Matson's cartoon depicts Director Kash Patel behind an FBI desk, his nose elongated like Pinocchio's, as he mangles a sobriety test phrase: 'Watch me tip the touch of my nose!' The setup labels it Step 1: Deny you have a problem, with a defamation lawsuit paper slipping away. American and FBI flags frame the scene, tying into tags like Federal Bureau of Investigation, Kash Patel, field sobriety test, intoxication, drinking problem, and criminal justice. This visual pokes at perceptions of denial in leadership, blending humor with commentary on domestic policy without overreaching into unseen motives.
Taylor Jones draws a bottle of Mezcal Gusano FBI, labeled as a producto de MAGA, with a worm at the bottom that has the face of Kash Patel, eyes wide and mouth open in apparent freak-out. The image plays on the tradition of mezcal with a gusano, or worm, inside the alcohol bottle, tying it to political themes of FBI director, justice department, and law enforcement. The worm's expression suggests inebriation or passing out, evoking ideas of drunkenness and dereliction of duty. This satirical take uses the moth larva in agave booze to comment on the 100 proof intensity of MAGA influence in such appointments. The cartoon stays simple, focusing on the bottle and its contents without added context.
Bill Day's cartoon features the letters F.B.I. with a veiny, bloodshot eye replacing the 'I', and the word Patel scrawled beneath it, evoking themes of booze and drinking. Stars sparkle above the eye, adding to the sense of disorientation or absence. This piece, tagged with Patel, FBI, booze, drinking, absent, and drunk, offers a straightforward jab at a figure's rumored state. In the world of political cartoons, such direct visuals cut through the noise, reminding editors that simplicity often packs the biggest punch. Day's style here is classic, with rough lines emphasizing the eye's intoxicated look, making it shareable for those following nomination sagas.
The cartoon depicts a man in a suit seated before a computer monitor with a large speech bubble containing text about an AI response. A woman in business attire stands to the right holding a folder. Papers and folders lie on the desk. The scene includes a keyboard, monitor cables, and a signature in the lower right corner.
Delonas places Trump in a crucifixion scene, robed with stethoscope, rejecting the messiah as a weak leftist. Stormy skies and a demon add drama, blending politics and religion for dry satire. Tags like Trump, Jesus, Crucifixion highlight the bold commentary on leadership cults.
The cartoon illustrates a four-panel progression where an American eagle wearing a red tie transforms into a chicken as an Iran-labeled missile approaches and passes. It responds to recent developments in U.S.-Iran tensions by employing the TACO acronym to suggest hesitation. The work captures the shift from aggressive posture to withdrawal under pressure.
The cartoon shows two figures with white beards and red hats labeled parts of 'MAGA,' suspended upside down by chains from their ankles. Heavy black balls hang below, marked 'THE COST OF WAR,' 'GAS,' 'HEALTH CARE, ETC, ETC...' One figure speaks of balls killing him, the other agrees. Tags like MAGA, inflation, cost of living, healthcare, gas prices, Trump frame the visible elements. The drawing style is sketchy, with a dark background suggesting a dungeon. Signatures and a website appear at the bottom.
Joep Bertrams captures the Strait of Hormuz tensions with a caricature of Donald Trump sinking in concrete shoes marked blockade, bubbles rising from his open mouth as a fish in a black hat nibbles his red tie. The underwater setting features a cracked wall labeled Hormuz, emphasizing the sunk metaphor for diplomatic failures. Tags like Iran, concrete shoes, and fish highlight the satirical take on US-Iran relations, with the caption State of Affairs underscoring the dire situation. This cartoon from 2026 blends humor and commentary on potential blockades, showing Trump in a blue suit against a murky seabed.
