be best
Sep
29
2025
Dave Whamond's cartoon captures Kash Patel in a suit, with exaggerated wide eyes and pointy ears, staring into a dark, swirling abyss that speaks back. The title 'Kash Patel Stares Into The Abyss' sets the scene, with Patel's thought bubble confessing 'Maybe I am unfit for this job! Maybe I don't know what I'm doing!?' The abyss retorts, 'Uh, can someone tell this dude to stop gawkin' at me? His stare is super creepy!' Tags like creepy stare, unfit for job, cartoonish choice, incompetence, unqualified, and Trump loyalist underscore the satire on Patel's potential FBI role. The image pokes fun at blind allegiance and conspiracy theorist vibes without deeper inference.
Jul
18
2025
On July 18, 2025, the cartoon depicts the White House partially submerged in murky water labeled Epstein Swamp. A red flag marked DJT flies from the roof. The image references ongoing scrutiny of Donald Trump's past associations with Jeffrey Epstein and unfulfilled promises to drain the Washington swamp during his second term.
Jun
20
2025
Jun
9
2025
Guy Parsons draws a bloated, orange-faced figure resembling Donald Trump, decked out in a golden crown and royal robe, clutching a scepter in one hand and a hand mirror in the other. The speech bubble proclaims 'You will LOVE ME!' against a backdrop of red curtains, tying into tags like USA, America, Army, 250th anniversary, Trump birthday, and no kings. This setup pokes at delusions of monarchy in a nation founded on rejecting kings, with the mirror emphasizing self-adoration. The cartoon's timing, around Trump's birthday and the upcoming 250th anniversary of American independence, underscores the irony of a leader aspiring to unchecked power. Parsons' style keeps it bold and colorful, making the satire pop without subtlety.
May
13
2025
Michael de Adder's cartoon titled 'American Divide' shows a bald, bespectacled pope in ornate robes on a pedestal marked 'LOVE,' facing a caricature of Donald Trump in a suit on a pedestal marked 'HATE.' The marble background adds a classical touch to this commentary on polarization. Tags such as Trump, Pope, Leo XIV, Hate, Love, Vatican, Washington, USA capture the essence of contrasting figures representing opposing values in American society. The image highlights the divide between messages of compassion and animosity, with Trump, Pope, Hate, Love, USA emphasizing the cultural and political rift.
Apr
21
2025
Malcolm McGookin's cartoon captures Trump polls in a humorous light, showing the former president gazing at a tree branch outside a window that mimics an upward approval rating graph, complete with small leaves. Meanwhile, an aide in a suit points to a wall chart with a red line plummeting downward, labeled under tags like stock market and tariffs. The scene, set on a red carpet in a pink room, pokes fun at perceptions of dementia, as the aide calls out 'Mister President?' The overall satire underscores Trump's potential confusion between reality and wishful thinking, blending elements of political humor with visual puns on economic indicators.
Apr
7
2025
Dick Wright's cartoon captures the irony of reciprocal tariffs with a massive foot marked 'excessive foreign tariffs' descending on a caricatured Trump, who grimaces while clutching a metallic object. The red label 'Reciprocal TARIFFS' floats nearby, emphasizing the backlash from unfair trade policies. Trade deficits loom large as the foot represents international retaliation, potentially sparking a stock market downturn. In a tariff driven economy, the image satirizes how such measures invite excessive foreign tariffs, risking recession. The composition underscores the self-defeating nature of aggressive trade stances, with Trump's strained expression highlighting the pressure on domestic markets. This piece fits into ongoing debates on global trade imbalances.
Feb
25
2025
The cartoon shows Javier Milei operating a chainsaw labeled MILEI while wearing a shirt listing Trump, Musk and Milei. Uncle Sam stands in the center pointing toward an anthropomorphic tree with an angry face and raised hand. The scene responds to the February 2025 launch of the Department of Government Efficiency initiative involving Elon Musk and associated international figures using aggressive cost-cutting imagery.
