A rider on a dark horse gallops across rocky ground at night under a full moon. The figure, with blonde hair and dark coat, leans forward and points ahead while shouting a repeated warning about communists arriving. The scene draws on a historical ride motif updated to current concerns about communist influence. Publication occurred on July 5, 2026, amid ongoing political debates over foreign policy threats.
A group of protesters at the reflecting pool in Washington DC dump red liquid from containers marked with toxic symbols while holding signs reading Support Iran and Death to ICE. One figure displays a swastika and another denies involvement in any pollution through a large speech bubble. The scene includes scattered debris and a skull-and-crossbones bag.
The image shows the Statue of Liberty with her raised arm entangled in barbed wire that draws blood, holding a large red rose in place of the traditional torch. Her other hand covers her face as the New York skyline fades behind her. The work responds to ongoing debates over socialist symbolism in American public imagery on the June 2026 date. The visual replaces the torch with the rose, a traditional emblem of socialism, while the barbed wire suggests entrapment or harm. Artist credit appears in the upper right corner.
A woman preparing for an anti-war protest asks about her peace-symbol necklace. Her partner notes it is stored behind signs calling to bomb Russia and defend Ukraine. The scene underscores inconsistent stances on U.S. involvement abroad as of early 2026.
Three university presidents appear with tongues frozen to a flagpole flying a Palestinian flag in a December 2023 image. The scene follows their appearances before Congress where they faced questions from Rep. Elise Stefanik about handling of antisemitism on campus and phrases such as from the river to the sea. The presidents of Harvard, MIT and the University of Pennsylvania had drawn criticism for their answers during the hearing. The image highlights the political pressure on higher education leaders over free speech and campus climate issues after the October 7 attacks.
The image depicts Noah's Ark receiving a bipartisan rescue team during the 2017 Houston floods caused by Hurricane Harvey. Two workers identified as the left and the right carry a bag marked unified flood rescue up a ramp to the vessel filled with animals. Noah, standing at the entrance, exclaims that he has now seen everything. The scene references the real-world disaster response efforts that brought together political opponents for relief operations in late August 2017.
The cartoon by Pat Bagley published August 28, 2017, depicts three Texas figures in cowboy hats voicing classic anti-government slogans in the top panel. Below, a FEMA worker in a raft approaches as the same figures, now perched on a Texas sign, exclaim that God heard their prayers and praise the Lord. The work responds to Hurricane Harvey's landfall and flooding in Houston and the Gulf Coast, where federal disaster response clashed with longstanding small-government rhetoric from Texas officials and some evangelical voices. It underscores the tension between ideological opposition to federal programs and practical reliance on them during a major natural disaster.
