A group of protesters at the reflecting pool in Washington DC dump red liquid from containers marked with toxic symbols while holding signs reading Support Iran and Death to ICE. One figure displays a swastika and another denies involvement in any pollution through a large speech bubble. The scene includes scattered debris and a skull-and-crossbones bag.
The cartoon contrasts historical industrial pollution of the Great Lakes with modern data center water consumption driven by artificial intelligence growth.
On June 6, 2026, a political cartoon depicts a man approaching an AI data center funded by big tech. The facility's sign bluntly informs ordinary citizens that their objections do not matter. The drawing highlights tensions between rapid AI infrastructure growth and public concerns over environmental consequences such as pollution and resource use. The cartoonist uses the dismissive message to underscore how technology companies often proceed without community consent.
A four-panel comic depicts a man in a lab coat outside a suburban house promoting successive infrastructure upgrades. Early panels show utility poles and power lines added for capacity expansion and grid reliability. Later scenes introduce satellite dishes for high definition service. The final panel reveals an industrial A.I. DATA CORP building releasing smoke amid pipes and additional towers. The sequence highlights how artificial intelligence facilities intensify energy use and visible environmental effects on residential areas.
The cartoon by Pat Bagley shows Kevin O'Leary's head floating above scenes in Utah where supporters of a data center project are labeled first as patriotic locals then as out-of-state agitators or Chinese agents. One panel shows a woman pointing to an Elevate Utah board while another depicts a gas-masked figure beside a dead animal under a call for clean air and water. The work responds to the proposed data center in Box Elder County and related debates over power, water and air quality impacts near the Great Salt Lake.
The cartoon by Peter Kuper portrays Lee Zeldin, appointed EPA administrator in 2025, across four panels that show a progression from intact natural habitats to scenes of industrial pollution and species loss. Early panels place Zeldin amid trees, animals and an EPA emblem. Later panels show him consuming the agency logo and exhaling flames from a smokestack. The caption states that Zeldin fired scientists and advanced deregulation targeting climate and environmental statutes. The work responds to ongoing policy shifts at the agency during the second Trump administration.
