The cartoon shows oversized migrant figures wading through waters studded with black triangular fins. One figure's foot contacts a fin and draws visible blood while maintaining forward motion. A smaller child figure runs in the open space between the larger legs.

The composition places the viewer at water level among the fins. Background figures appear smaller and similarly elongated. The central action focuses on the bleeding contact point and the child's position relative to the moving forms.

The visual argument centers on the physical hazards encountered during migration. The shark-fin metaphor stands in for submerged dangers without specifying particular causes or locations. The date places the image in a period of ongoing border policy discussion.