The cartoon depicts several Founding Fathers gathered around a table with one proposing a 250-year warranty on the Constitution after which the document would stand alone. This visual responds to ongoing debates about constitutional resilience and potential authoritarian challenges in 2025.
zip ties
Oct
6
2025
The cartoon depicts the Chicago Bean sculpture reflecting numerous ICE agents in formation. A woman stands in the foreground holding a bag. The image responds to immigration enforcement operations active in Chicago around early October 2025.
Oct
4
2025
On October 4 2025 the cartoon depicts Donald Trump in a jester costume confronting Xi Jinping outside a house stacked with Chinese made Halloween goods. The scene highlights the impact of proposed tariffs on imported holiday products and resulting higher consumer prices in the United States.
Oct
2
2025
The cartoon depicts Nicolás Maduro trapped in the lower chamber of an hourglass as sand patterned with the American flag flows downward. His desperate reach toward the narrowing neck illustrates mounting external pressure on the Venezuelan leader. The October 2025 image aligns with ongoing US sanctions and diplomatic isolation efforts targeting Maduro's regime over drug trafficking and authoritarian control.
Oct
2
2025
The image shows the Supreme Court building with its columns replaced by caricatures of six justices. Each column bears a head resembling John Roberts, Clarence Thomas, Brett Kavanaugh, Amy Coney Barrett, Neil Gorsuch and one additional figure. The entablature carries the inscription Trump Family Lawyers. The scene coincides with the first Monday in October 2025 when the court opens its new term.
Sep
30
2025
The September 30, 2025 cartoon shows Donald Trump asking a US farmer how his China trade strategy is working. The farmer stands beside a woman in front of a dilapidated farmhouse and a tractor with an auction sign. The image references ongoing effects of tariffs on agricultural exports and rural economies.
Sep
29
2025
In a cartoon published September 29 2025 two girls converse in a sandbox about Halloween plans. The child on the right states she wanted to dress as a clown but her parents feared Trump would take it personally. The background includes playground equipment and greenery under a clear sky. The image references ongoing political tensions around the former and potential future president. Artist Christopher Weyant signed the work for the Boston Globe.
Sep
29
2025
Dave Whamond's cartoon captures Kash Patel in a suit, with exaggerated wide eyes and pointy ears, staring into a dark, swirling abyss that speaks back. The title 'Kash Patel Stares Into The Abyss' sets the scene, with Patel's thought bubble confessing 'Maybe I am unfit for this job! Maybe I don't know what I'm doing!?' The abyss retorts, 'Uh, can someone tell this dude to stop gawkin' at me? His stare is super creepy!' Tags like creepy stare, unfit for job, cartoonish choice, incompetence, unqualified, and Trump loyalist underscore the satire on Patel's potential FBI role. The image pokes fun at blind allegiance and conspiracy theorist vibes without deeper inference.
Sep
24
2025
Two men discuss Trump's aluminum tariff at a pool table surrounded by Burp Beer cans and a dripping MAGA cap. The scene highlights rising costs from trade duties on aluminum and steel affecting everyday items like beer. Publication occurs during renewed focus on tariffs targeting Canada and Mexico.
First Amendment and Free Speech Placed in Trash Outside Government Building
Free Speech Signs Dumped in Trash
Sep
23
2025
Signs labeled First Amendment and free speech stand upright in two trash cans outside a government building. A mailbox marked D.TRUMP sits to the left on the lawn. Flies hover over the cans while the sun shines above.
Sep
22
2025
The cartoon shows large hailstones marked Trump tariffs raining down on a soybean farm, cracking a red barn and striking silos labeled soybean farmers. This visual responds to ongoing 2025 trade policies affecting U.S. agriculture and export markets.
Sep
18
2025
Christo Komarnitski's cartoon captures Trump in a vulnerable, naked state, wearing only a red cap and holding a staff topped with a globe, symbolizing perhaps world domination ambitions. He drags a long train labeled 'Epstein list,' tying into scandals from Epstein connections. Facing him is King Charles III, depicted in formal attire with a crown, during what metadata calls a Trump UK visit. The tags like USA, UK, royal, crown highlight the diplomatic yet satirical encounter. Dry humor shines through the exaggerated features and absurd situation, poking at political figures' baggage. This piece fits political cartoon traditions, blending current events with visual wit.
Sep
18
2025
This political cartoon captures a moment of satirical diplomacy between caricatures of King Charles and Donald Trump, both donned in ostentatious royal garb. The Trump figure sports a crown emblazoned with 'Ke America At Again,' a clear nod to his famous slogan, while shaking hands with the stern-faced King Charles. Set against a simple background, the artwork highlights themes of US-England relations, Europe-US tensions, and the pomp of leadership. The dry humor underscores the absurdity of political ostentation in the reign, blending American bravado with British tradition in a straightforward line drawing by Becs. Tags like Donald Trump Administration, King Charles, and ostentation in the reign frame this piece as timely commentary on transatlantic ties.
God Visits UK: Trump Towers Over Kneeling King Charles in Satirical Cartoon
God Visits UK: Trump and King Charles
Sep
17
2025
The cartoon shows a blonde man in a white robe and flip-flops, puffing smoke, standing on grass with a glowing triangular light overhead. He holds a small crown toward a kneeling figure in purple robes, crown, and red cape on a red carpet. London icons like Big Ben, the Gherkin, and London Eye fill the dark sky background. Tags such as Trump, King Charles, UK, Fascism, God, and Visit frame this direct visual. The scene stays straightforward, with no hidden layers beyond the visible elements. Kamensky's style keeps it clear, poking at power dynamics without overcomplicating the obvious setup.
