A bison marked socialism sends a person marked personal happiness tumbling through the air. The scene shows the animal in motion with dust rising from its hooves while the figure spins upside down.
Donald Trump appears reclining in a brown armchair on a two hundred fifty dollar bill. The note shows two hundred fifty dollar markings, United States of America text, fearless leader banner, and a not legal disclaimer beside the figure in a blue suit.
Christo Komarnitski's cartoon titled King Trump depicts the USA President Donald Trump with spiky yellow hair resembling a crown, squatting on a gray pedestal. He holds a roll of toilet paper printed with 'We the People' in red letters, waving it like a flag, while gripping a small yellow book in his other hand. His pants are down, exposing bare buttocks, with a pile of brown excrement on the pedestal. The tags USA, President, Donald, Trump, Liberty, Constitution highlight the satirical take on American leadership. This image from 2025 uses dry humor to comment on power and foundational documents.
The image depicts a university setting with a heavily armored police officer positioned in the foreground holding a shield labeled POLICE. Two students wearing shirts marked U stand to the right, one with a speech bubble. Tents, protest signs, and trees fill the background along with a distant building. The cartoon uses clear lines and color to show the officer facing the students directly on a paved walkway.
The image shows a yellow chick standing on a large white Easter egg decorated with peace symbols in multiple colors including red, blue, green, purple and yellow. Handwritten text reads Happy Easter next to the artist credit for Bill Day. The simple composition marks the holiday with symbols of peace and renewal.
The cartoon depicts a graduate wearing a mortarboard and gown, holding a diploma, with a chain connecting the ankle to a large ball labeled DEBT, using tags student loans, education, college, graduation, debt, ball and chain.
The image depicts Senator Lindsey Graham seated on the ground in a restraint garment covered with repeating Gucci logos and buckles. A speech bubble to the left contains the text LIKE IT? IT'S GUCCI! The name GRAHAM appears on the right pant leg. The background is split black above and light below with the artist name visible at top right and website at bottom left.
The image presents Lindsey Graham with a seal body inside a circular emblem altered to read Seal of This President. The figure blows into a horn emitting the word honk while a nearby sign repeats yes boss three times. This composition appeared on November 13 2019 during active congressional impeachment proceedings involving President Trump.
The cartoon shows a mustached man in a blue suit and red tie, balancing a teetering stack of bowls in shades of red, orange, and yellow, each labeled with words like corrupcion, derechos humanos, oposicion, pobreza, crisis humanitaria, sin comida, and economia. Liquid spills from the bowls as he leans forward, one foot raised toward a sharp saw blade on the ground. The image captures a sense of imbalance and impending fall, with the artist's signature 'arcadio' at the top. Tags like Maduro, dictadura, ecomomia, Latino America, and Venezuela frame the visible elements of stacked troubles. No hidden meanings jump out; it's straightforward visual metaphor for overload. Dry humor lies in the absurdity of the juggle.
Esquivel's cartoon features a yellow smiley face stamped with footprints labeled Iran, FARC, China, Hezbollah, Russia, and Cuba from Maduro's walking legs. It highlights geopolitical ties in Venezuela through simple satire. Tags like socialism and communism underscore the alliances shown.
Arend van Dam's 2019 cartoon captures the Venezuela crisis with a sinking ship named Venezuela, a man in a sash shouting 'I am your captain' from the top, while figures cling to the tilting deck and others flail in the water. The image uses the tags Venezuela, Maduro, dictator, interim president, Juan Guaidó, national assembly to highlight the political turmoil. The ship's bow points upward, with a periscope-like structure in flag colors, emphasizing the obvious metaphor of a nation going under. People on the deck hold on desperately, and swimmers raise arms, all drawn in simple lines against a blue sky and green sea. This straightforward satire avoids subtlety, making the leadership failure clear without added context.
Pat Bagley's 2018 political cartoon portrays a giant black spider emblazoned with a red dollar sign and labeled 'Alden Hedge Fund,' sprawling across a dark web that ensnares multiple newspaper entities. Figures with hats, each tagged with names like Denver Post, Boulder Daily Camera, Mercury News, and St. Paul Pioneer Press, dangle helplessly in the web, symbolizing entrapment. The artwork uses media ownership satire to critique hedge fund influence, underscoring newspaper industry decline and journalism crisis. Dark, scribbled lines form the web, enhancing the ominous tone of this editorial illustration on predatory financial practices in media.