A two-panel cartoon contrasts a South African police officer in uniform demanding a pass during apartheid with a figure in traditional attire and South African flag sash making a similar demand in a modern setting. The bottom banner labels the comparison 'Apartheid Then and Now.' The work appears in the Daily Maverick dated 1-7-26 and is signed by Zapiro.
A man carries his pregnant partner toward a waiting taxi while she points urgently toward the US border. The driver leans from the vehicle as Spanish and English text convey a hurried request to reach the frontier. The July 2026 cartoon depicts a common immigration scenario at the southern border where individuals seek quick transport amid enforcement concerns.
The cartoon shows two Founding Fathers seated at a table with the text of Article XIV of the US Constitution displayed above them. One figure points to the document and asks if the language on citizenship is clear enough. The other responds that only imbeciles would question it. The scene uses speech bubbles to highlight the debate over birthright citizenship provisions in the 14th Amendment.
Weyant depicts Donald Trump flipping a coin to determine whether to uphold or abandon the Iran nuclear agreement, satirizing the randomness of his foreign policy decision-making. The coin toss metaphor suggests Trump treats major diplomatic decisions as matters of chance. The cartoon captures diplomatic anxiety about Trump's unpredictability.
The image shows the Statue of Liberty wearing a red MAGA shirt and playing a violin while pointing to a sign that alters the famous immigration inscription to read boo-hoo for the tired and poor.
The image presents the Supreme Court building in Washington with the traditional inscription changed to read UNEQUAL JUSTICE UNDER LAW. The title below identifies the structure as the SUPREME COURT of TRUMP. Statues remain in place on either side of the central steps while trees stand to the left and right of the facade.
The image presents a bald man wearing a blue FIFA goalkeeper kit and oversized yellow gloves. He stands centered in a soccer goal with multiple burlap sacks printed with dollar signs placed on the field grass nearby. The scene responds to ongoing discussions about FIFA revenue from the upcoming World Cup hosted in the United States. Publication occurs ahead of the 2026 tournament schedule. The visual emphasizes financial flows connected to American soccer markets under current FIFA leadership.
On June 6, 2026, a political cartoon depicts a man approaching an AI data center funded by big tech. The facility's sign bluntly informs ordinary citizens that their objections do not matter. The drawing highlights tensions between rapid AI infrastructure growth and public concerns over environmental consequences such as pollution and resource use. The cartoonist uses the dismissive message to underscore how technology companies often proceed without community consent.
The cartoon depicts the U.S. Supreme Court building with its famous frieze inscription altered from Equal Justice Under Law to Or Whatever the Republicans Want Us to Do. This visual responds to recent rulings including the Alabama voting map decision that permitted GOP-drawn districts accused of diluting Black voter power. The image critiques the court's use of the shadow docket and perceived ideological alignment with Republican priorities on voting rights and gerrymandering.
The image displays a woman standing with papers looking concerned next to a man seated in a recliner holding papers. Visible text in speech bubbles refers to credit cards being maxed out and a plan to add a reflecting pool. The title at the top reads about politicians operating as average Americans. A signature appears in the upper right.
Pat Bagley's political cartoon titled Trump Legacy presents a series of imagined monuments that highlight controversial aspects through labels like End-Your-Civilization Peace Prize on a medal showing a figure with Trump's hairstyle, the Liar-in-Chief Ballroom resembling a grand building with Trump flag, the Taco Triumphal Arch as a stone structure with winged T, and the Pussy-Grabber Library and Epstein Memorial Playland as a classical edifice with a statue. These elements, tagged with arch, MAGA, triumphal, ballroom, peace prize, library, Epstein, use dry humor to comment on themes of liar, Republicans, fascism without adding unseen context. The composition clusters these items in a sketch style, emphasizing bold text and simple lines for impact.
Bruce Plante\'s cartoon captures a space capsule\'s splashdown, complete with three orange and white striped parachutes guiding it to a blue ocean teeming with black fish-like forms. The prominent text \'Thanks NASA We Needed That\' adds a layer of sarcasm, typical in editorial illustrations commenting on high-profile events like the Artemis II mission. The simple composition, with a light blue sky and wavy ocean surface, emphasizes the moment of impact, shown by a small splash at the capsule\'s base. This piece fits into the tradition of political cartoons that highlight public sentiments toward government projects, using minimal elements for maximum impact. The artist\'s signature and website appear in the top left, grounding it in syndicated cartoon style.
On October 16 2024 John Darkow published a cartoon showing Donald Trump in a hospital gown marked property of Bellevue. A nurse directs him back for medication while a guard stands nearby. Text in the image contrasts this scene with a question about Kamala Harris having hay fever. The drawing appears days before the presidential election and references ongoing discussion of candidate fitness.
