This biting political cartoon by Michael de Adder captures Donald Trump in a childish tantrum, holding and firing a diminutive Kirstjen Nielsen as an ICE agent clutching a separated baby, symbolizing the border crisis and family separation policies. The image skewers the Trump administration's immigration policy failures, with Trump shifting blame for the humanitarian mess at the US border. Through exaggerated caricature, it highlights themes of accountability, political satire, and the human cost of harsh enforcement, making it a viral-worthy jab at leadership in US politics.
The illustration depicts Donald Trump with an exaggerated head and a single large eye, styled after the Big Brother figure from George Orwell's 1984. Bold text at the bottom declares Big Brother is watching CBS. The December 2025 piece appears amid ongoing tensions between the president-elect and major media outlets including CBS News and its 60 Minutes program.
The cartoon depicts Donald Trump next to a Thanksgiving turkey positioned on a chopping block. Trump extends a hand while the turkey asks if the figure is ready and admits uncertainty about his identity. The image references the annual presidential turkey pardon custom. Publication occurs on November 11, 2025, near the holiday season. The visual ties the pardon practice to the familiar bird ritual.
Dave Whamond's cartoon titled 'The Man who would be king' captures a caricatured Donald Trump donned in regal themes, complete with crown and red robe, wielding a scepter. A subservient, bald figure with pointy ears bows and praises the 'Great Halloween Costume, Boss!' while Trump retorts 'What Halloween Costume?' The image tags highlight themes of No Kings, Trump wants kinglike powers, and concerns over constitution and democracy. It satirizes ideas of president transitioning government into a monarchy, with elements of shutdown, taking control, and totalitarian state. The humor lies in Trump playing dress up yet denying it's a costume, symbolizing real aspirations for kinglike authority.
A cartoon published October 20, 2025, depicts a massive figure marked DJT standing over miniature representations of the Supreme Court and Capitol building. The figure's red tie lies on the ground near the structures. Text on the right recalls earlier concerns about an oversized government. The image highlights the contrast between the dominant central figure and the diminished institutions below.
The White House appears in an image with a speech bubble declaring a gold crown stolen. A truck displaying a crossed-out crown and the words NO KINGS sits nearby with a ladder against the building. An American flag flies from the roof. The scene references a recent claim of theft involving royal symbols at the executive mansion.
Bart van Leeuwen's cartoon shows a mustachioed man in a suit with a Venezuelan-colored sash sprinting across a dusty landscape. He grips a white bag labeled Colombia, spilling white powder, as missiles decorated with stars, stripes, and MAGA text streak through an orange sky. A small house patterned like the American flag gets hit by a rocket in the background. The bold text Drug Runner labels the scene. This image ties into tags like Nicolás Maduro, Venezuela, tensions, drug runner, regime change, military force, and Caribbean, offering a sharp visual jab at international politics with explosive humor.
Pat Bagley's 'King Trump' captures a regal Donald Trump caricature seated on an ornate golden throne marked with a prominent 'T,' his expression stern as he grips a smoking pistol. Surrounding the throne's base lie several jester figures in black-and-white outfits, sprawled lifelessly with red blood spots, evoking themes of comedy suppression. Tags like Kimmel, Colbert, and Charlie Kirk hint at late-night hosts and conservative voices, but the image sticks to visible elements: the king's red robe, ermine trim, and the smoky aftermath. This piece comments on cancel culture, GOP dynamics, MAGA loyalty, hate, humor, and first amendment issues without overt labels, relying on caricature for impact. The dry wit underscores a tyrant's intolerance for jesters, a straightforward jab at power and censorship.
The cartoon shows a blonde man in a white robe and flip-flops, puffing smoke, standing on grass with a glowing triangular light overhead. He holds a small crown toward a kneeling figure in purple robes, crown, and red cape on a red carpet. London icons like Big Ben, the Gherkin, and London Eye fill the dark sky background. Tags such as Trump, King Charles, UK, Fascism, God, and Visit frame this direct visual. The scene stays straightforward, with no hidden layers beyond the visible elements. Kamensky's style keeps it clear, poking at power dynamics without overcomplicating the obvious setup.
A drawing dated September 2, 2025, shows the White House with a figure leaning from an upper window. A rolled U.S. Constitution, gavel, and other objects fall toward the ground. The scene centers on the building's facade, balcony, and columns. The title references democracy in freefall. The image includes the artist's signature at lower left.
The drawing shows the U.S. Capitol building bearing a prominent sign reading Dictator in Chief. Large lettering above the dome proclaims Yeah! I Own Them! while a separate line of text asks Sir, Executive, Legislative, and Judicial? The composition merges elements of the Capitol dome with a classical columned facade bearing the inscription Equal Justice Under Law.
