tyler robinson

Democrats' Moral Compass Aligns With Controversial Figures
Margolis/Cox, PoliticalCartoons.com
On September 11, 2026, a political cartoon by Margolis & Cox depicts the Democratic Party's moral framework as broken by associating it with figures such as Luigi Mangione, Lindsay Clancy, Tyler Robinson, and Hamas. The piece argues that progressive tolerance for these cases reveals a deeper ethical failure. It matters because public trust in political morality shapes elections and policy debates. The cartoon takes the position that the left has abandoned consistent principles in favor of selective outrage.
Kimmel Is Mean, Not Funny
KIMMEL IS MEAN, NOT FUNNY by Gary McCoy, politicalcartoons.com
Free Speech For Dummies
FREE SPEECH FOR DUMMIES by Gary McCoy, politicalcartoons.com
The devil escorts a man downstairs
Bruce Plante, PoliticalCartoons.com
Leftist Political Violence
Dick Wright, PoliticalCartoons.com
Free Speech But There Are Consequences
FREE SPEECH BUT THERE ARE CONSEQUENCES by Gary McCoy, politicalcartoons.com
The GOP Clings to Power However it Can
THE GOP CLINGS TO POWER HOWEVER IT CAN by Alexandra Bowman, CagleCartoons.com
Bullet Holes in the Declaration of Independence
Bruce Plante, PoliticalCartoons.com
Sep
14
2025
Kash Job Security
KASH JOB SECURITY by Ed Wexler, politicalcartoons.com
Cartoon Contrasts Radicalized Christian's Love for Jesus with Armed Liberal's Fascist Accusation
DIFFERENCE IN RADICALIZATIONS by Gary McCoy, politicalcartoons.com
Gary McCoy's cartoon from 2025 divides the frame into two scenarios on radicalization. On the left, a figure in a cap holds a sign declaring 'I ♥ Jesus!' under the label 'When a Christian becomes radicalized...'. The right side shows a sunglasses-wearing man with a rifle emitting smoke, gripping a yellow sign that reads 'CHARLIE KIRK IS A FASCIST!' labeled 'When a liberal becomes radicalized.'. Tags like MAGA, Jesus, radicalized, Christian, liberal, Charlie Kirk, gun control, mental health, religion, Donald Trump, social media, and science frame the visual commentary. The piece highlights perceived disparities in how extremism manifests across ideological lines, with the Christian side shown as affectionate and the liberal as potentially violent.
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