The cartoon shows Donald Trump angrily kicking a USPS mailbox, causing mail ballots to scatter, while clutching a sign labeled MAIL BALLOT RULE. The mailbox is labeled SUPREME MAILBOX at the base. Published on September 16, 2026, the image responds to debates over mail voting procedures and potential Supreme Court involvement in election rules. The visual metaphor illustrates opposition to expanded mail ballot access by depicting physical disruption of the postal system. Trump is caricatured with windblown hair and an open-mouthed expression of rage. Scattered ballots on the ground reinforce the theme of discarded votes. The piece uses the familiar USPS eagle logo and blue mailbox design for immediate recognition.
President-elect Trump has selected Kash Patel to lead the FBI, a move that has drawn scrutiny over the nominee's past statements on the bureau and plans for personnel changes. The cartoon portrays the appointment as a threat to the agency's independence, using the J. Edgar Hoover Building as the setting for a direct warning about Patel's influence.
Donald Trump has renewed assertions of widespread voter fraud ahead of upcoming contests. The rhetoric revives familiar challenges to election administration and access rules. Such claims have repeatedly failed to produce evidence in court yet continue to shape public debate and legislative pushes. The cartoon frames the narrative as a deliberate distraction from actual barriers to voting. It positions the fraud talk as cover for renewed restrictions reminiscent of earlier suppression tactics.
The Kennedy Center facade receives new lettering citing Donald J. Trump's 38,000 mentions in Epstein files. The addition follows a painter's declaration that the name now appears on the building. The piece frames the reference as the mechanism granting Trump association with the institution.
Richard and Liz Uihlein, heirs to the Schlitz fortune and owners of Uline, have donated millions to right-wing candidates and causes. Their support helped organize the January 6 rally and advanced anti-union, anti-tax, and anti-LGBTQ policies. The cartoon portrays their growing influence as corrosive to democratic norms.
A new Supreme Court ruling on mail-in votes has drawn a sharp reaction from President Donald Trump. The decision appears to restrict certain ballot practices ahead of future elections. In the cartoon, the gavel smashes into the presidential podium where Trump stands, sending papers flying. Trump is depicted with an angry expression, leaning forward as the impact occurs. The image uses the visual of the striking gavel to illustrate the direct effect of the ruling on the administration. The cartoon was published on September 16, 2026, by artist Monte Wolverton.
Food and gas prices remain elevated in 2026 under the Trump administration, adding to household costs across the country. The administration's economic approach has not delivered relief on key consumer expenses. Critics argue the policies prioritize other goals over inflation control. The cartoon depicts the USA as overburdened by these dual price burdens. It takes the position that Trump-era governance has left ordinary Americans carrying unsustainable economic weight.
The cartoon shows Donald Trump at the controls of a yellow excavator that has already damaged the U.S. Treasury building. His thought bubble calls for breaking the other Roadless Rule while a sign marks protected forests ahead. The image comments on efforts to open national forests to development by repealing the 2001 Roadless Rule. It links the policy shift to broader questions about federal spending and regulatory priorities. The visual places the Treasury in the path of the machine to suggest fiscal or institutional costs alongside environmental changes.
Donald Trump has repeatedly attributed policy shortcomings and political setbacks to his predecessor Joe Biden throughout 2026. This pattern continues a long-standing approach of shifting responsibility rather than addressing current challenges directly. The editorial position criticizes this tactic as evasive and unhelpful for resolving real governance problems.
The cartoon depicts Donald Trump and Xi Jinping as half-robotic figures standing atop piles of skulls in a devastated cityscape dated 2084. Each leader is labeled with a directive to defeat the other in an AI race, with American and Chinese flags and a circuit board visible among the debris. The image responds to ongoing US-China technological competition by projecting a grim future of mutual escalation. The visual metaphor underscores how both nations view AI development as a zero-sum contest with potentially catastrophic results. The publication date of September 2026 places the piece amid continued policy focus on semiconductor controls and AI investment bills.
On September 16, 2026, the cartoon responds to growing public alarm over rapid AI development and its potential to disrupt or destroy human society. Donald Trump appears bound to an AI dragon, symbolizing political entanglement with the technology. The piece argues that such alliances accelerate humanity's peril rather than mitigate it, urging caution in policy and leadership choices around emerging tech.
The cartoon by Dave Granlund depicts Donald Trump Jr in a military uniform dancing as a wedding cake collapses. A speech bubble has him claiming Putin's pal bankrolled the lavish wedding. A sign reads Dancing with the Czars. The image responds to ongoing allegations of Russian financial ties to the Trump family. It uses visual metaphors of dance and falling cake to highlight perceived influence. The publication date of September 16 2026 places it in a period of renewed scrutiny over foreign funding in U.S. politics. The work critiques the relationship without naming a single breaking event.
On September 15, 2026, commentary emerged around reports of Russian oligarch involvement in events tied to Donald Trump Jr. and Bettina. The development raises questions about foreign influence on the Trump family. The piece argues such connections undermine claims of independence from external interests.
The cartoon splits the Iran Hostage Crisis into 1979 and 2026 panels. In the first Trump appears elated while an Iran-labeled figure holds a gas pump. In the second Trump looks distressed with the same figure present. The piece uses the visual contrast to comment on how Iran-related pressures affect US political figures differently over time.
The cartoon by Dave Whamond depicts Donald Trump as Marie Antoinette on a balcony declaring 'LET THEM EAT CAKE!!' while a crowd below protests with signs and questions who can afford cake. Published on September 15, 2026, the image draws on the historical quote to comment on contemporary affordability concerns during Trump's term. The visual contrasts the elevated figure with an agitated crowd holding anti-Trump signs. It captures ongoing public discontent with rising costs. The piece uses the famous anecdote to underscore perceptions of detachment from everyday economic pressures.
