The July 2026 cartoon depicts a figure resembling President Trump in two panels. The left shows praise for CUSMA as the best trade deal. The right shows the same figure reading a newspaper headline about declining to renew it. The visual points to a shift in position on the agreement covering Canada, the US, and Mexico.
Donald Trump appears on the right side of the scene and states support for the Save America Act. A large rhino figure rests on a base marked with the act name and is connected to an overhead structure resembling the Capitol dome. The rhino faces toward Trump. The date of the image is July 1 2026.
Donald Trump is shown navigating a maze of doors in a political cartoon dated June 18 2026. One door is labeled MOU and another FINAL DEAL. The image responds to reported steps toward an Iran agreement involving energy routes and domestic political reactions.
The cartoon depicts a man resembling Sen. John Cornyn calling out to Texas Attorney General Ken Paxton, who is buried beneath a mountain of suitcases marked with scandals, impeachments and legal issues. The speech bubble delivers Trump's endorsement directly into the pile. The image responds to the May 2026 Texas Senate primary runoff where former President Donald Trump backed Paxton against Cornyn. Paxton's history includes impeachment by the Texas House and multiple indictments. The visual emphasizes how the endorsement arrives amid ongoing controversies surrounding the candidate.
The image shows the White House underwater surrounded by fish and bubbles with an American flag on top. A large speech bubble from the building reads FAKE NEWS! I'M NOT (GURGLE) UNDERWATER! A sign labeled TRUMP POLLS sits underwater near the building. The cartoon is by Dave Granlund and dated 2026.
Image shows man and woman seated on purple couch wearing red caps labeled MAGA. One speech bubble reads about Trump not caring. Another mentions deep state. Television set stands in front. Artist name appears at bottom right. Scene is indoors with simple furniture visible.
This political cartoon features a fighter jet labeled 'EPIC FURY' with flames bursting from its rear, dropping papers marked 'Gas Prices,' 'TSA Plays,' 'Tariffs,' 'ICE Brutality,' and 'War' like bombs away. A blonde figure in a blue outfit rides a white missile labeled 'APPROVAL RATINGS,' wielding a stick as if charging forward amid falling debris and sparks. The scene captures satirical chaos with 'Bombs Away..' sign floating nearby, emphasizing themes of political maneuvering through policy drops to boost approval ratings. John Cole's signature and PoliticalCartoons.com appear in the top left, adding to the irreverent commentary on epic fury in governance.
On April 3, 2026, a political cartoon depicts President Donald Trump at the bedside of a patient in a hospital room. Trump states that Medicare and Medicaid cannot be provided because funds must support an ongoing war. The patient replies that coverage exists because Trump pays for it and the patient is wealthy. The image references the Iran War and healthcare access issues.
A political cartoon by Paresh Nath illustrates Donald Trump leaping across a widening crack in the ground marked MAGA BASE. He holds a missile in one hand as rockets fly toward the word IRAN on the far side. The image captures division within the president's support base over military action in the Middle East. The cartoon responds to reports of escalating tensions and public debate on involvement with Iran. The visual emphasizes the physical separation between the figure and the base he represents.
The Supreme Court struck down tariffs in a ruling dated near February 2026. Donald Trump appears cut off at the legs by the decision while a consumer figure notes progress. The image highlights effects on costs and protectionist measures amid ongoing economic pressures.
The cartoon shows Donald Trump in a blue suit swinging a massive wooden mallet at figures resembling Iranian Ayatollahs emerging from holes in a yellow arcade machine labeled Whack-A Ayatollah. The president appears mid-swing with motion lines indicating effort. The image comments on US policy toward Iran by framing the conflict as a repetitive carnival game where targets keep reappearing. Publication occurs during a period of heightened US-Iran tensions over nuclear issues and regional influence. The visual metaphor suggests difficulty in permanently resolving the challenge despite repeated attempts.
