The image shows Uncle Sam positioned in a calm central area surrounded by swirling debris labeled as the first Trump term initial insurrection and the second Trump term completion coup. Text on the left and right frames the scene with those phrases. A banner at the bottom reads in the eye of the storm. The composition places the national symbol between references to past and future political events tied to Donald Trump.
Trump's renewed tariffs on Canadian cars, lumber, oil and gas have triggered a sharp rise in applications for Canadian citizenship from Americans wary of his second term. The move underscores ongoing US-Canada trade friction and domestic policy backlash. The cartoon frames the policy as self-defeating, highlighting the irony of Canadians becoming the one Canadian product still in demand.
Donald Trump delivered jokes at the 2026 White House Correspondents Dinner that landed poorly with the audience. The event drew attention for the president's comedic missteps amid ongoing tensions with the press. The piece argues the routine exposed a persistent pattern of tone-deaf delivery rather than isolated misfires.
Donald Trump appears asleep at the head of a long conference table while sheep dressed in business attire occupy the surrounding seats. A speech bubble above the scene asks what about cabinet meetings keeps putting him to sleep. The July 2026 image from Steve Sack depicts the president in a blue suit and red tie with eyes closed and head tilted. The setting shows a formal room with arched doorways and a large wooden table. Text at the bottom includes the artist's signature and website links.
The cartoon shows Donald Trump rendered as a submarine firing torpedoes while underwater. Speech bubbles reference ending TPS protections for Haiti and Syria. A second figure responds with Aye Aye, Dr. Evil. The image responds to a June 2026 Supreme Court decision allowing the Trump administration to terminate temporary protected status for nationals of Haiti and Syria.
Image shows man and woman seated on purple couch wearing red caps labeled MAGA. One speech bubble reads about Trump not caring. Another mentions deep state. Television set stands in front. Artist name appears at bottom right. Scene is indoors with simple furniture visible.
Duginski holds Trump accountable for his campaign promise to end wars within 24 hours of taking office. The Los Angeles Times illustrator catalogs the ongoing conflicts that remain unresolved. The broken promise imagery reflects sustained journalistic skepticism of Trump's foreign policy boasts.
This political cartoon depicts a central figure dressed as a king, complete with a crown marked 'T,' seated at a podium with an American flag backdrop. He speaks in a bubble: 'The state of the Union is better than it's ever been... Probably in history...' while a smaller bubble adds '...For ME!' A tall stack of items labeled 'Whoppers' sits on the desk. Two other men flank him, one bearded on the left, one bespectacled on the right, both in suits. The scene uses tags like State of the Union, Trump, King, Congress, lies, and whoppers to satirize exaggerated claims in a straightforward, visible manner without hidden inferences.
On October 25, 2025, a cartoon shows President-elect Donald Trump riding a wrecking ball marked Trump First into the White House East Wing. The ball shatters columns labeled Norms, Traditions, and Institutions. The image references the start of Trump's second term and concerns over institutional erosion.
On April 18, 2025, a cartoon shows President Trump enforcing a DEI ban in a dungeon setting. The Easter Bunny, shackled to the wall, states that Trump deemed its dyed eggs insufficiently white. A second chained figure stands to the right. A sign reading DEI IST VERBOTEN! HERR TRUMP hangs prominently. The image responds to ongoing debates over diversity policies and immigration enforcement during the second Trump term.
