Donald Trump and Xi Jinping appear as wrestlers locked in an arm wrestling hold above a globe. The USA figure wears a red and white striped tank top with a Made in USA patch. The China figure wears a red tank top with yellow stars and a Made in China label. Multicolored arrows in red green and blue point in opposing directions across the globe grid. The scene captures ongoing trade friction between the two nations on the February 2026 date.
This political cartoon illustrates Donald Trump chasing turkeys with a large flag labeled 'racism & xenophobia'. It uses humor to critique political figures and highlight issues of racism and xenophobia. The imagery of turkeys adds a layer of satire, possibly referencing Thanksgiving or political distractions.
The image shows two figures dressed as kings, one resembling King Charles with a sad expression and large ears, the other like Trump with blonde hair, orange skin, and a frowning face. Both wear white robes with black spots and red undersides, holding scepters. Crowns top their heads, with Trump's featuring a circled 'C'. Tags like King, Charles, UK, Trump, Visit frame this satirical take on a royal visit, poking dry fun at the unlikely duo in political cartoon form. The artwork by Rayma Suprani keeps it straightforward, emphasizing visible caricatures without hidden layers.
Pat Bagley's 'King Trump' captures a regal Donald Trump caricature seated on an ornate golden throne marked with a prominent 'T,' his expression stern as he grips a smoking pistol. Surrounding the throne's base lie several jester figures in black-and-white outfits, sprawled lifelessly with red blood spots, evoking themes of comedy suppression. Tags like Kimmel, Colbert, and Charlie Kirk hint at late-night hosts and conservative voices, but the image sticks to visible elements: the king's red robe, ermine trim, and the smoky aftermath. This piece comments on cancel culture, GOP dynamics, MAGA loyalty, hate, humor, and first amendment issues without overt labels, relying on caricature for impact. The dry wit underscores a tyrant's intolerance for jesters, a straightforward jab at power and censorship.
Bart van Leeuwen's cartoon depicts Donald Trump in camouflage bursting in with a rifle on a relaxed Nicolás Maduro in a Venezuelan-striped hammock, smoking and armed. Elements like white powder and a bikini screensaver add satirical layers to invasion, warfare, tension, coup, and guerrilla themes in this humorous U.S.-Venezuela standoff.
Guy Parsons draws a bloated, orange-faced figure resembling Donald Trump, decked out in a golden crown and royal robe, clutching a scepter in one hand and a hand mirror in the other. The speech bubble proclaims 'You will LOVE ME!' against a backdrop of red curtains, tying into tags like USA, America, Army, 250th anniversary, Trump birthday, and no kings. This setup pokes at delusions of monarchy in a nation founded on rejecting kings, with the mirror emphasizing self-adoration. The cartoon's timing, around Trump's birthday and the upcoming 250th anniversary of American independence, underscores the irony of a leader aspiring to unchecked power. Parsons' style keeps it bold and colorful, making the satire pop without subtlety.
On May 12 2025 the cartoon depicts Donald Trump and Xi Jinping sawing through logs marked as tariffs. Large clubs also labeled tariffs arc through the air above them. The scene responds to ongoing US China tariff negotiations and trade friction active in early 2025.
The cartoon depicts four figures resembling founding fathers at a table, drafting documents under an American flag. One speaks: 'We all agree to no king. But what about a three-term drama queen?' This clear satire targets trump and his third term ambitions, linking to January 6, election fraud, constitution, twentysecond amendment, and framers. The image uses dry humor to highlight contradictions in rejecting monarchy while entertaining extended presidencies for dramatic figures. Tags like drama and queen add a layer of witty insult, making it a sharp commentary on current political theater without overstepping visible elements.
R.J. Matson's cartoon depicts a sunny beach where a man and woman apply sunscreen while gazing at a small airplane towing a long banner with text reading 'Happy Memorial Day to All, including the Human Scum that is the Judge who RIGGED the trial against Me! UNFAIR!!!' The scene includes beach umbrellas, a towel, and distant figures in the sand and water. Below, a caption states '"PRESIDENT TRUMP WILL DO ANYTHING TO GET AROUND A GAG ORDER!"' Tagging elements like Trump, gag order, Judge Merchan, trial, New York, 2024 presidential election, Memorial Day, the image satirizes efforts to evade legal restrictions through visible means like aerial messaging.
Steve Sack's 2019 cartoon portrays Trump as Tariffzilla, a Godzilla-inspired beast with the president's distinctive hair, unleashing destructive fire. Below, a chain of small white elephants, symbols of the Republican party, ascend a ladder to splash water from buckets onto the monster's foot, suggesting futile efforts against overwhelming tariff policies. The title 'Tariffzilla King of the Monsters' ties into trade war themes with Mexico over immigration and migrants. This sharp satire captures the chaos of Trump's tariff threats, blending monster movie tropes with political commentary on border issues. The image underscores how such policies loom large, dwarfing party attempts to mitigate damage.
Christopher Weyant's 2019 cartoon shows Trump swinging a tariffs-labeled club at a Mexico-themed piñata, while a beaten Uncle Sam lies on the ground, hat fallen, speaking about Mexico's endurance. The image captures trade tensions with China and Canada in mind, using the big stick metaphor for beating that backfires on the American consumer. Debris scatters around the striped figure, emphasizing self-inflicted taxes through tariffs. The wall isn't visible, but the satire points to broader policy fallout.
The cartoon shows giant Donald Trump in suit and red tie, foot raised over tiny palace with Nicolas Maduro's face, Venezuelan flag, and palm tree. Simple lines emphasize size contrast in this Schot drawing from 2019.
