The illustration depicts Donald Trump with an exaggerated head and a single large eye, styled after the Big Brother figure from George Orwell's 1984. Bold text at the bottom declares Big Brother is watching CBS. The December 2025 piece appears amid ongoing tensions between the president-elect and major media outlets including CBS News and its 60 Minutes program.
This political cartoon illustrates Donald Trump chasing turkeys with a large flag labeled 'racism & xenophobia'. It uses humor to critique political figures and highlight issues of racism and xenophobia. The imagery of turkeys adds a layer of satire, possibly referencing Thanksgiving or political distractions.
Michael de Adder's cartoon shows Pam Bondi and Kash Patel in chef hats, mimicking a classic sitcom assembly line, where they frantically point at and handle small objects marked with letters like R and D on a conveyor belt. A heart-shaped sign declares 'I Love Trump,' while a label reads 'Epstein Files' in the background. The scene draws on familiar TV tropes to comment on efforts to conceal names, using straightforward lines and shading for a humorous yet pointed critique. Tags like political cartoon, Epstein scandal, Trump loyalty, Republican cover-up, satirical parody, and editorial humor underscore the image's timely jab at current events, making it shareable in newspaper syndication circles.
Milt Priggee's cartoon presents a plain white toilet elevated to regal status with a multicolored crown sparkling atop a golden 'T', and a flowing red cape over the seat, directly tying into tags like Trump, president, throne, video meme, king. The image avoids any figures, focusing solely on the object to convey its message through obvious symbolism. Such cartoons often poke fun at power, here blending bathroom humor with notions of monarchy. The artist's signature and website appear clearly, grounding the work in professional syndication circles. Editors see these as quick hits for virality, especially when current events align with tags involving Trump and presidential satire. The dry wit shines through the minimalism, making it shareable across platforms.
A figure combining pig features with recognizable elements of Donald Trump appears on the left side of the image facing a female reporter on the right. The figure extends one arm forward while delivering the phrase quiet piggy through a speech bubble. The reporter stands with a microphone raised and maintains a neutral expression. The composition places the exchange against a speckled background with the artist's name visible in the upper right. This image responds to recent questions posed to Trump regarding Epstein files by Bloomberg and ABC journalists. The visual centers the interaction between the central figure and the reporter without additional elements or text beyond the quoted phrase.
