Donald Trump appears in caricature form towering over a group of young soccer players on July 20 2026. The image captures the former president in his signature attire next to children in numbered jerseys. The editorial uses scale to comment on power dynamics in contemporary politics.
The image shows Lady Justice positioned on a height chart towering over Donald Trump who holds a sign stating he must pay E. Jean Carroll five million dollars. A quote appears at the bottom referencing the case outcome.
On June 30, 2026, Jeff Koterba depicts a diapered baby Donald Trump seated on a wooden base, recoiling as a muscular figure wearing a diaper labeled BIRTHRIGHT CITIZENSHIP swings a massive gavel downward. The infant clutches a small gavel amid motion lines and impact marks. The image addresses ongoing debates over birthright citizenship policy during the Trump administration era.
On January 16 2026 Kristi Noem as Homeland Security Secretary is shown praising a massive violent ICE agent. The cartoon highlights concerns over untrained agents and brutality in enforcement actions.
A laboratory scene shows a scientist in a coat labeled Tariff Inflation standing beside a hulking Frankenstein-style monster assembled from meat cuts. The creature has a stitched head, angry expression, and chicken feet. A hunched assistant named Igor holds a newspaper headlined Tariff Inflation while complaining about red meat prices. The caption reads: I did the best I could, Igor! Have you seen the price of red meat lately? The October 2025 cartoon links recent tariff policies to higher grocery costs.
The cartoon shows a blond-haired man atop a stone wall marked 'TARIFFS,' shouting 'Build that wall! And who is gonna pay for it!' A red-hatted figure in a 'MAGA' shirt below responds 'Most definitely we are!' This setup draws a parallel to familiar chants, underscoring tariffs as a burden on consumers. Tags like Trump, tariffs, build the wall, MAGA, inflation, economy, trade war, backfire, and recession frame the scene. The dry humor lies in the obvious irony, where supporters unwittingly acknowledge the cost. Composition keeps it simple, with grassy base and bold lettering for impact. Such cartoons thrive on timely policy jabs, making this one sharable amid ongoing trade debates.
The March 2025 cartoon by Dick Wright splits the frame to compare reactions labeled Trump Derangement Syndrome and Musk Derangement Syndrome. A contained head explosion appears on the left while a massive mushroom cloud dominates the right, pointing to perceived differences in intensity of public and media response.
Bob Englehart\'s cartoon shows a large rocket labeled \'ARTEMIS\' with an American flag, standing on a launch pad under a blue sky with clouds and birds. A caricature of Donald Trump, in suit and red tie, is tied to the rocket\'s side, with the bold text \'TO THE MOON\' overhead. The image captures a moment of satirical absurdity, blending NASA\'s moonshot program with political commentary. Englehart\'s style is straightforward, using clean lines and minimal details to highlight the humor in sending a controversial figure skyward. Tags like Artemis rocket, Trump caricature, space satire, launch pad, American flag, and political cartoon emphasize the visual punch.
On May 12, 2020, Pat Bagley drew Elon Musk as a robot ordering Tesla employees back to the factory despite coronavirus risks visible inside the plant. The image captures tensions over reopening businesses in California during the early COVID-19 pandemic.
On March 28, 2019, Jeff Koterba's cartoon depicts a towering state senator clutching a briefcase labeled term limits for state senators as he leaves a voting booth. A smaller voter stands nearby, thinking about the days when the booth held more sway. The image addresses ongoing debates over term limits in state legislatures, where incumbents often resist restrictions that would shorten their tenure. The visual contrast underscores the power imbalance between entrenched politicians and average voters seeking change.
The December 2017 cartoon shows a large figure in striped trousers using a brick broom to sweep away a cluster of small figures. The image responds to ongoing US border wall discussions and immigration enforcement actions active that month. The visual presents the policy as aggressive removal of people from the area near the figure's feet.