May
17
2026
A physician in a lab coat points to a medical screen displaying Donald Trump's profile with an exposed brain labeled bone spurs. The speech bubble declares the diagnosis as the source of the problem.
the weave
Apr
28
2026
Patrick Chappatte's cartoon captures a fictional royal visit in Washington DC, where Trump, with his signature hair and suit, walks arm-in-arm with King Charles in full regalia. A group of protesters, waving a USA flag, holds a yellow sign featuring a crossed-out crown and 'NO KINGS,' while one shouts 'That's Not For You!' The scene tags USA, Great Britain, Trump, King Charles, monarchy, Democrats, demonstrations, United Kingdom, blending humor on transatlantic relations and anti-monarchy sentiments in a clearly visible setup on a red carpet against a grand building backdrop. The dry satire highlights visible contrasts without deeper inference.
Apr
16
2026
Pat Bagley's cartoon shows JD Vance dressed as Jesus, labeled 'VANCE,' swinging a massive wrecking ball to shatter a brick wall marked with signs pointing to 'STATE' and 'CHURCH.' He shouts 'STAYETH IN THY LANE!' at a figure resembling the Pope, who holds an olive branch and dove, symbols of peace. In the background, the U.S. Capitol flies an American flag, while a church with a cross represents the Vatican. Tags like war, peace, JD Vance, religion, Trump, and scripture underscore the satire on blurring lines between church and state, with Vance enforcing boundaries ironically through destruction. The image critiques political figures invoking religion amid Capitol politics.
Mar
29
2026
Rick McKee's cartoon depicts a dimly lit museum where a striped-shirted thief, masked and wielding a hammer, targets a display case with a red gas can marked 'GAS,' overlooking iconic pieces like the Mona Lisa portrait, Venus de Milo statue, a large diamond, Van Gogh-style sunflowers painting, abstract Mondrian-like art, and smaller framed works. An 'EXIT' sign glows above, and a 'no' symbol sign hangs nearby. The scene uses tags such as Trump, war, Iran, gas prices, oil, museum to comment on how escalating fuel costs make gasoline more valuable than cultural treasures, blending humor with commentary on energy crises.
The cartoon depicts a naked man with Trump's distinctive hair and face, topped by a crown with a star symbol, standing barefoot on a red carpet. He holds a large cheque labeled '$500 Billion' for Europe and exclaims praise for the country and people. A suited man bends deeply to kiss the naked figure's rear end. In the background, a woman in a yellow dress and a man in a suit stand near a black car, with the Netherlands flag flying above. This setup uses visual elements like the red carpet and flag to frame a scene of exaggerated deference, incorporating tags such as political cartoon Trump NATO, naked emperor Trump satire, NATO secretary general caricature, Netherlands flag political humor, Trump ass-kissing cartoon, and European funding Trump parody for SEO relevance.
Graeme MacKay's cartoon reimagines Aesop's fable as 'The POTUS Who Cried TARIFF,' with Donald Trump's exaggerated face shouting on a fiery book cover. Representatives from USA, Mexico, and Canada sit at a table, showing exasperation with speech bubbles like 'Good Grief not him again!' and 'Ugh Repeat flare-up?' The tags USA, Mexico, Canada, trade, diplomacy, tariff, Donald Trump, USMCA, NAFTA, The Boy Who Cried Wolf, Aesop, and fable underscore the satire on repeat threats becoming ineffective. This visual pokes at how constant warnings lose impact in international relations.
Jeff Koterba's Uplifting Take on NASA's Artemis 1 Moon Mission and Daydreams
Daydreaming Back to the Moon with Artemis
Aug
30
2022
Jeff Koterba draws a man perched on rocky terrain, holding a tablet marked Artemis 1, with a large orange moon looming in the background. The speech bubble reads, 'I forgot how much I missed daydreaming...' Stars dot the dark sky, adding to the inspirational tone. Tags like Koterba, Artemis, moon, space travel, NASA, uplifting, and upbeat fit this scene perfectly. The cartoon stays simple, focusing on visible elements without hidden layers. No brands or backstories appear; it's just the figure, the tablet, the moon, and the words. This direct approach makes it shareable for audiences drawn to space themes.
