The cartoon depicts the Statue of Liberty, Uncle Sam and an AI robot seated in a 9/11 group therapy session on the 25th anniversary of the attacks. The Statue of Liberty holds a book marked July IV MDCCLXXVI and speaks of deepening loss since 2001. Uncle Sam echoes the sentiment of end days. The AI figure, labeled with a rising doomsday plot progress chart, retorts that the others have seen nothing yet. The scene uses national symbols to reflect persistent national trauma and emerging technological threats two and a half decades after the September 11 attacks.
The cartoon by Graeme MacKay portrays Pete Hegseth's progression through three stages at the Pentagon under President Trump. In the first panel Hegseth pledges to awaken the warrior ethos at the Department of Defense. The middle panel shows him calling to unleash lethal power while an aide reports no resources remain. The final panel depicts a toddler Trump at the Department of Offense with Hegseth as a frantic aide amid papers about testosterone screening and purges. The work comments on the Trump administration's approach to military leadership and policy priorities as of September 2026.
The cartoon depicts three political figures styled as the Three Stooges holding symbols of an Iran War missile, a Trade War bomb and a Board of Peace plank. It responds to ongoing tensions involving Iran policy and trade disputes by using the comedy trio to portray chaotic leadership. The visual argument suggests that efforts at peace coexist with aggressive posturing in both military and economic arenas.
Vladimir Putin appears as a stern green face progressively eclipsing the Earth in three labeled stages. The sequence illustrates expanding Russian influence on the global stage. The piece argues that Putin's reach is steadily overtaking international affairs.
Members of Congress continue to deflect responsibility for legislative inaction by pointing to other branches of government. The dynamic persists amid ongoing budget disputes and stalled priorities on Capitol Hill. The editorial argues that the constitutional design intended to prevent tyranny now serves mainly as an excuse for avoiding accountability.
A political figure represented by a green frowning face progressively covers a yellow smiling face across three labeled stages. The interaction illustrates one presence gaining dominance while diminishing the other. The piece comments on the dynamics of political competition and shifting influence between rivals.
A panhandler in an urban setting displays a sign announcing three convenient locations, mimicking retail chain expansion. The image highlights the persistence of street begging amid city life. The piece uses the visual metaphor to comment on how panhandlers adapt their methods in response to ongoing urban challenges with homelessness and public solicitation.
Rising geopolitical frictions among major powers have prompted renewed warnings about the potential for wider international conflict. Defense officials and analysts track ongoing military buildups and diplomatic strains that could escalate quickly. The editorial uses the alarm clock image to stress that leaders must act decisively to prevent a slide into global confrontation.
A university ceremony draws attention as an official delivers pointed remarks to administrators in academic attire. The exchange highlights ongoing tensions over leadership accountability and campus governance. The piece portrays the speaker as assertive in pressing the group on their responsibilities.
A series of panels depicts rows of figures wearing sunglasses in varying hues. The images suggest that personal filters shape what people see and react to. The final panel introduces a multicolored figure that stands apart from the rest. The work comments on how individual perspectives diverge even within similar groups. It highlights the contrast between uniform appearances and sudden breaks in pattern.
A flowchart circulating in political circles outlines a narrow path to Supreme Court nomination that begins with questions about race, gender and religion. The diagram routes only white male Mormons to the top position while directing others toward university presidencies. Three figures in the image voice opposition to diversity initiatives. The piece responds to ongoing debates over judicial selection standards and identity considerations in appointments. It takes the position that such rigid criteria undermine broader merit-based processes.
On July 12 2026 the cartoon depicts Donald Trump instructing a construction worker to demolish the judiciary legislative and media pillars of a structure labeled democracy. The executive pillar already stands removed. A wrecking ball crane looms on the left while Trump gestures emphatically from the foreground rubble. The image responds to ongoing debates over institutional checks and executive actions during the second Trump term.
Todd Blanche is shown in three adjacent panels. Each panel presents a close view of the same man wearing a dark suit, white shirt and blue tie. The expressions feature narrowed eyes, furrowed brows and a downturned mouth. Slight variations appear in head angle and eye direction between the panels. The left panel includes the name Todd Blanche in capital letters at the bottom. The right panel includes a copyright notice at the bottom. All three images share a light yellow gradient background and black borders.
On July 10 2026 Rick McKee depicts Donald Trump questioning an aide about Graham Platner dropping out of a Senate race. The aide cites a Nazi tattoo and sexual assault accusation as reasons. Trump responds by asking again why the candidate is leaving the race. The exchange highlights the former president's focus on the withdrawal itself rather than the underlying controversies. Publication occurs during the 2026 election cycle when candidate viability and scandal impacts remain central topics in Senate contests.
On July 9 2026 Donald Trump is shown crawling across the floor toward a golden trophy marked Golden Ass 2026. Two other men in business attire lean over him with shirts raised exposing their midsections. The scene places the trophy just out of reach as Trump extends one hand forward.
