A four-panel illustration titled Big Wide Open Spaces places Death Valley, Utah Salt Flats, and the Grand Canyon next to the Great American State Fair. Each panel shows wide horizons in the natural settings while the fair panel includes a Ferris wheel, entrance gate, and tents. The comparison highlights scale differences between remote landscapes and a populated event ground. The piece appeared online on July 2, 2026.
Pat Bagley's latest piece captures a stark contrast in this Trump homelessness cartoon, where a caricature in a blue suit and red tie gestures furiously at a cluster of makeshift tents and huddled figures, declaring the scene obscene and demanding their removal. On the right, a long-haired, bearded man in a white robe and red sash extends a hand, advocating to get them help instead. The homeless crisis political humor underscores differing approaches to urban plight, with the Trump Jesus contrast cartoon highlighting themes of expulsion versus empathy. Such editorial cartoon homelessness policy works often spark debate on societal responses, blending sharp lines and simple composition for maximum impact in satirical take Trump compassion.
An Israeli-marked bomb rips through fabric labeled Rafah on May 27 2024, leaving a red stain beneath the torn material. The image responds to recent Israeli strikes on the Rafah area in Gaza amid ongoing conflict with Hamas.
The image displays four panels in front of a building labeled THE UNIVERSITY LIBRARY. Graduates in caps and gowns appear with a Palestinian flag and a banner reading GAZA SOLIDARITY ENCAMPMENT. Police officers in helmets stand near orange tents. One panel shows a scroll exchange. Another shows a baton swing toward a banner. The artist signature KUPER is in the bottom right. Columns and steps form the background across all panels.
