Gloria Steinem remains a central figure in American feminism decades after her rise to prominence. Her work helped popularize second-wave ideas on equality and reproductive rights. The image places her on a stack of landmark feminist books to underscore her connection to that intellectual tradition.
The caricature of Tupac Shakur covered in gun tattoos and the word misogyny responds to the persistent association of rap with firearm imagery and anti-woman themes. It underscores how such elements in hip-hop culture continue to shape public perceptions of the genre and its icons long after Shakur's death. The piece takes the position that these symbols remain central to the rapper's enduring image and the broader problems they represent.
Dolly Parton appears in a vibrant portrait holding a guitar covered in American flag colors. The image captures her long standing role as a prominent figure in American entertainment without tying to any specific recent event.
Taylor Jones draws a bottle of Mezcal Gusano FBI, labeled as a producto de MAGA, with a worm at the bottom that has the face of Kash Patel, eyes wide and mouth open in apparent freak-out. The image plays on the tradition of mezcal with a gusano, or worm, inside the alcohol bottle, tying it to political themes of FBI director, justice department, and law enforcement. The worm's expression suggests inebriation or passing out, evoking ideas of drunkenness and dereliction of duty. This satirical take uses the moth larva in agave booze to comment on the 100 proof intensity of MAGA influence in such appointments. The cartoon stays simple, focusing on the bottle and its contents without added context.
Taylor Jones draws a sharp contrast in this cartoon, with a pope-like figure in white robes and glasses, hands clasped, delivering the Sermon on the Mount line from Matthew 5:9 about blessed peacemakers being children of God. Beside him stands a blonde-haired man in a suit, halo above, mouth open in response, twisting John 3:16 to claim the Strait of Hormuz as a divine gift, or soon to be, labeled Don 3:16. The piece nods to Catholic Church teachings against a backdrop of Persian Gulf tensions, war in Iran, and oil exports disruptions. It's a dry poke at how leaders bend scripture for geopolitical gains, like controlling the Strait of Hormuz to spike crude prices. Vatican serenity meets brash claims, all in watercolor style on purple background.
Taylor Jones draws a bearded man in an FBI jacket with wide eyes, standing next to a smiling woman wearing a cowboy hat marked FBI Accessory, her arm around him as she holds a guitar. Empty bottles and cans are scattered on the ground, suggesting drunkenness. The speech bubble contrasts one with actual talent and a friend who needs a ride home against the other who directs the FBI. Tags like Kash Patel, Alexis Wilkins, country music, Nashville singer, corruption, and incompetence frame this political cartoon's jab at abuse of office and justice department issues.
The image centers on Kash Patel with exaggerated features and a fly positioned on his nose. The fly carries a speech bubble reading RELEASE THE FILES. The composition places the figure against a plain background with yellow shading around the head. Publication occurred on September 27 2025 during discussions of FBI leadership and document disclosures tied to prior investigations. The visual links Patel to ongoing questions about files from the Epstein and Maxwell cases under the Department of Justice.
A four-panel JUNETEENTH ETIQUETTE strip follows Bob (white) and Shaun (Black). Bob starts three sentences with Happy uh and never finishes. Shaun wonders why a white-privileged person would wish him happy Juneteenth. Both end with Thank God Its Friday -- Jones maps the social distance the holiday still has to bridge.
A Black Lives Matter protester in a mask stands over a Confederate general at Appomattox Court House with surrender papers, saying Sign here for real this time. Jones' June 2020 piece frames the racial justice movement as completing the unfinished business of the Civil War that Juneteenth commemorates.
