The long-standing adage that only death and taxes are certain receives fresh treatment in a cartoon depicting an IRS outpost operating in hell. No specific policy change or ruling prompted the piece, which instead plays on the enduring public frustration with tax collection as an inescapable force. The editorial stance pokes at bureaucratic persistence, suggesting the tax man follows citizens beyond the grave with the same relentless efficiency seen in life.
Christopher Killoy served as CEO of Sturm, Ruger & Co. from roughly 2005 to 2025, during which the company generated billions in revenue from firearms used in hundreds of U.S. mass shootings. The industry earns an estimated $91 billion annually, and more than 400 incidents occur each year. Killoy described guns as inanimate sporting objects. The cartoon criticizes the disconnect between corporate profits and the human cost shown in the accumulating portraits of victims.
Corporate executives continue to receive large bonuses even as layoffs persist across sectors. The piece responds to ongoing debates over executive compensation packages during periods of workforce reduction. It takes the position that such bonuses appear disconnected from the realities facing displaced employees.
Details of a revenue-sharing agreement for the Gordie Howe Bridge between Canada and the United States have been released. The arrangement requires Canada to split toll revenues despite covering full construction costs. The editorial highlights public frustration with the terms and uses a reference to a potential Trump naming to underscore political sensitivities around the project.
Retailers launched back-to-school promotions in late July, prompting families to stock up on supplies weeks ahead of the academic calendar. The timing overlaps with summer clearance events that mimic holiday marketing tactics. Parents and students face added pressure to buy early amid rising costs for essentials. The piece highlights how commercial calendars compress traditional shopping seasons and shift family routines.
The Gordie Howe Bridge between Canada and the United States is set to open, allowing truck traffic across the border. The cartoon shows a toll booth attendant calling out to a large green troll figure positioned beneath the structure, with dollar bills and coins scattered on the ground. The troll wears a red cap with an American flag emblem and extends a clawed hand toward the money. A speech bubble from the booth reads TOLL while a label points to the creature as TROLL. The scene plays on the classic fairy tale motif of a troll under a bridge collecting payment from those who cross.
A soccer ball piñata labeled World Cup and Millions of Dollars hangs from a rope while multiple hands swing wooden bats at it. Colorful streamers and paper fragments scatter with each impact. The image appears on July 2 2026 amid ongoing preparations and financial discussions surrounding the 2026 World Cup hosted across North America.
A new political cartoon shows President Trump and Iran's supreme leader sharing a tollbooth positioned across the Strait of Hormuz. Both figures extend their hands toward passing cargo ships while American and Iranian flags fly from the structure. The image comments on ongoing disputes over control of the vital oil shipping route.
Zapiro's June 2026 cartoon shows an e-troll fleeing a Johannesburg toll plaza with a sack of cash while a grandmother reads the tale to children. The image references ongoing disputes over Gauteng's electronic toll system and missing revenue. The upper panel depicts the toll gantry and city skyline with the troll escaping. The lower panel shows the domestic bedtime scene with the book titled Joburg Tales. The cartoon uses a children's story format to highlight public frustration with the toll collection process.
The image presents a bald man wearing a blue FIFA goalkeeper kit and oversized yellow gloves. He stands centered in a soccer goal with multiple burlap sacks printed with dollar signs placed on the field grass nearby. The scene responds to ongoing discussions about FIFA revenue from the upcoming World Cup hosted in the United States. Publication occurs ahead of the 2026 tournament schedule. The visual emphasizes financial flows connected to American soccer markets under current FIFA leadership.
A cartoon published April 7 2026 shows an older man seated in a chair advising a young basketball player. The player stands holding a ball near a window. The caption reads that winning is not the only thing and highlights money from a college contract. The scene comments on shifting priorities in college sports amid growing financial opportunities for athletes. NCAA rules on compensation have evolved in recent years allowing players greater earnings through name image and likeness deals.
A cartoon depicts a big tech leprechaun atop a pot labeled local revenue under a rainbow of data center hype. The figure tells a resident that the promised funds will be needed to cover higher power bills driven by data center electricity demand.
