This political cartoon depicts a central figure dressed as a king, complete with a crown marked 'T,' seated at a podium with an American flag backdrop. He speaks in a bubble: 'The state of the Union is better than it's ever been... Probably in history...' while a smaller bubble adds '...For ME!' A tall stack of items labeled 'Whoppers' sits on the desk. Two other men flank him, one bearded on the left, one bespectacled on the right, both in suits. The scene uses tags like State of the Union, Trump, King, Congress, lies, and whoppers to satirize exaggerated claims in a straightforward, visible manner without hidden inferences.
Peter Kuper's cartoon depicts a door with ornate gold trim labeled 'The Oval Offi,' partially obscured by a skeletal alien figure extending bony arms outward arms outward, one hand clawing at the glass panes. The figure's skull-like head with large eyes peers out, and below, a speech bubble reads 'Take me from your leader?!' Grass or shrubbery lines the bottom, with the signature 'KUPER' at the lower right. This setup twists the classic alien phrase into a plea for rescue, fitting presidency satire, Oval Office humor, extraterrestrial parody, skeletal cartoon, White House illustration, and political leader commentary in a straightforward line drawing style.
This tax season humor cartoon depicts an older man seated in a red armchair, penning details on an IRS 1040 form, as his wife stands nearby with a tray of steaming cups, delivering the punchline about creative writing classes paying off. The satirical view of income tax returns captures a domestic scene tax time parody, where the husband channels his educational investments into what appears to be an imaginative approach to tax filing. With a humorous take on tax preparation creativity, the illustration pokes fun at the notion of turning literary flair into fiscal advantage, all set against a simple indoor backdrop with wall art and a window view. The witty commentary underscores how seemingly unrelated skills like those from creative writing classes can 'pay off' in unexpected ways, especially during the dreaded tax season. Artist signature 'Schwadron' adds a touch of authenticity to this political cartoon on tax evasion creativity.
This political cartoon by Whamond features South Dakota Governor Kristi Noem, a prominent Republican and potential Trump ally, wearing a cowboy hat labeled 'NOEM' and speaking at a podium. She declares, 'Actually, I think this ICE operation went pretty good,' while standing beside two gravestones inscribed with 'Alex Pretti' and 'Renee Nicole Good,' adorned with flowers. The image satirizes immigration enforcement, border policy, and the human cost of deportation, highlighting perceived political callousness toward migrant deaths. Through humor and irony, it critiques how politicians like Noem might downplay tragedies in ICE operations, making it a sharp editorial cartoon on current Republican stances.
The cartoon depicts a stage performance of the nativity story, with figures resembling Mary, Joseph, and baby Jesus facing an inn with no room. From the audience, a caricature of Trump yells that it's Joe Biden's fault. Tags like Trump, nativity, blame, Joe Biden, president, and Christmas capture the satirical blend of biblical tale and modern politics. The scene unfolds on a simple stage with a crowd watching, emphasizing the humor in attributing ancient events to current leaders. Dry wit shines through in the absurdity of Trump's outburst, a nod to ongoing blame games in the economy and beyond.
Dave Whamond's cartoon captures Trump religion cartoon essence with the former president boldly stating religion's return to America. Meanwhile, an ICE agent is shown handcuffing a figure resembling Jesus, complete with long hair, beard, and robes, in a clear ICE deporting Jesus satire. This piece dives into political cartoon religion America themes, poking at immigration policy religion hypocrisy. The dry humor shines through the contrast between Trump's proclamation and the 'meanwhile' scene of deportation. Such satirical take on US immigration and faith often sparks debate on religious revival and deportation. Overall, it's a pointed commentary on blending faith with strict border controls.
The cartoon depicts Donald Trump stating he will not release the Epstein files and is considering a pardon for Ghislaine Maxwell. The Republican elephant, wearing a MAGA cap, reacts with shock and a large question mark over the word pardon. The image responds to recent statements from Trump about reviewing the files and potential clemency for Maxwell after the Supreme Court declined her appeal. It highlights tension between campaign promises on transparency and the political risks of associating with the Epstein case.
In a cartoon published September 29 2025 two girls converse in a sandbox about Halloween plans. The child on the right states she wanted to dress as a clown but her parents feared Trump would take it personally. The background includes playground equipment and greenery under a clear sky. The image references ongoing political tensions around the former and potential future president. Artist Christopher Weyant signed the work for the Boston Globe.
Dave Whamond's cartoon captures Kash Patel in a suit, with exaggerated wide eyes and pointy ears, staring into a dark, swirling abyss that speaks back. The title 'Kash Patel Stares Into The Abyss' sets the scene, with Patel's thought bubble confessing 'Maybe I am unfit for this job! Maybe I don't know what I'm doing!?' The abyss retorts, 'Uh, can someone tell this dude to stop gawkin' at me? His stare is super creepy!' Tags like creepy stare, unfit for job, cartoonish choice, incompetence, unqualified, and Trump loyalist underscore the satire on Patel's potential FBI role. The image pokes fun at blind allegiance and conspiracy theorist vibes without deeper inference.
