st peter
Jun
24
2026
The cartoon shows a US-flagged missile streaking toward a large fiery orb, evoking an ill-defined strike on Iran. The caption questions the meaning of a successful mission. Published amid reports of Iranian nuclear activity and regional tensions, the image critiques the absence of an exit strategy. It references potential economic fallout such as closed shipping lanes and higher oil prices. The work also nods to internal administration finger-pointing involving JD Vance. Overall the piece underscores the hazards of military action without a coherent plan.
Peter Kuper\'s political cartoon depicts a stern news anchor at a desk under a large \'NEWS\' sign, holding a paper and announcing vague breaking news from the White House with promises of \'500 to even 1000% details in two to three weeks.\' The satire targets flip flopping, white house lies, and promises broken, reflecting on issues like no health care plan, food and drug prices rising, and soaring gas costs. Background elements include indistinct screens, keeping the focus on the anchor\'s absurd statement. This piece highlights distraction tactics amid war in iran continues and strait of hormuz closed, with warships and blockade adding to the billion dollars a day for military. The fbi epstein files tag suggests underlying scandals, but the image stays straightforward in its mockery of delayed truths.
Artemis II Spaceship Zips Past Moon Aliens: 'There Goes the Neighborhood'
Moon Aliens See Artemis II Flyby
Apr
7
2026
Peter Kuper's cartoon shows two blob-shaped aliens peeking from a crater on the moon's surface, eyes fixed on a departing rocketship trailing exhaust. The dark side of the moon setting includes craters and a starry sky, with the caption 'Well, there goes the neighborhood.' Tags like Artemis II, astronauts, Canada, United States NASA, dark side of the moon, and orbiting highlight the satirical take on human space exploration intruding on alien territory. The image pokes fun at the idea of extraterrestrials reacting to NASA's mission, blending science, data, and humorous alienation.
Apr
2
2026
Peter Kuper nails the absurdity of Trump White House cabinet positions in this sharp cartoon. Five stylized figures march through stages: incoming in red, striding confidently; acting with a pointing gesture; distrusted standing still; humiliated bent over in shame; outgoing fleeing with a kick. Labels underscore the progression from promise to humiliation. Tags like cabinet turnover, political satire, administration instability, Trump firings, White House staff cycle, and executive distrust highlight the revolving door of appointments. It's a dry commentary on the chaos, where loyalty meets betrayal in quick succession. The simplicity amplifies the bite, making it perfect for syndication.
Feb
9
2026
Peter Kuper's cartoon depicts a door with ornate gold trim labeled 'The Oval Offi,' partially obscured by a skeletal alien figure extending bony arms outward arms outward, one hand clawing at the glass panes. The figure's skull-like head with large eyes peers out, and below, a speech bubble reads 'Take me from your leader?!' Grass or shrubbery lines the bottom, with the signature 'KUPER' at the lower right. This setup twists the classic alien phrase into a plea for rescue, fitting presidency satire, Oval Office humor, extraterrestrial parody, skeletal cartoon, White House illustration, and political leader commentary in a straightforward line drawing style.
Dec
28
2025
Dec
3
2025
Four-panel sequence by Peter Kuper depicts an older man in a rust-colored jacket and blue jeans walking a spotted dog on a red leash. The leash snaps, the dog shifts into a skeletal robot form covered in binary code, and the final panel shows the robot lunging at the man with red impact marks near his face. The background changes from simple sky and grass to a green city skyline filled with ones and zeros. The cartoon carries the title The Dangers of Unregulated A.I. and is signed KUPER.
Oct
8
2025
The illustration by Peter Kuper presents a stylized human form interacting with a computer terminal encircled by sweeping arcs. The composition emphasizes integration between operator and machine. Publication occurs amid ongoing discussions about artificial intelligence deployment in workplaces and daily routines. The visual suggests accelerating automation without specified safeguards. Broader context includes industry efforts to advance systems from major developers while policymakers consider oversight measures.
