The cartoon depicts the Statue of Liberty, Uncle Sam and an AI robot seated in a 9/11 group therapy session on the 25th anniversary of the attacks. The Statue of Liberty holds a book marked July IV MDCCLXXVI and speaks of deepening loss since 2001. Uncle Sam echoes the sentiment of end days. The AI figure, labeled with a rising doomsday plot progress chart, retorts that the others have seen nothing yet. The scene uses national symbols to reflect persistent national trauma and emerging technological threats two and a half decades after the September 11 attacks.
On July 13 2026 Donald Trump appears in a gray suit and red tie before a map of the Persian Gulf region. He points with a stick at the waterway between Iran UAE and Oman now labeled Strait of Trump. A speech bubble reads While we're at it. The image responds to ongoing executive actions on foreign geographic names and regional policy.
The cartoon published July 2, 2026, shows a caricature of Donald Trump holding four large jars labeled GRIFT, each marked with dollar signs. A sign in the upper left reads COOKIE JARS. The figure wears a black suit and red tie while the jars appear in motion around him. The image from Bill Day responds to ongoing discussions of financial dealings tied to the former president.
John Darkow's cartoon depicts two people in lawn chairs under a starry sky reacting to a massive explosion labeled as Stephen Miller's head after a birthright citizenship decision. The drawing uses fireworks and dialogue to highlight the intensity of the reaction to the ruling on the 14th Amendment.
A couple appears confined inside a doghouse labeled housing on June 25 2026. A chain connects them to a bowl marked Merica while a bone labeled Trump lies nearby and an affordability sign stands above. The scene addresses housing costs during the period.
Two yellow diamond-shaped road signs appear against a blue sky. The left sign labeled STUDENTS shows two child silhouettes throwing papers into the air. The right sign labeled MPs displays a black pig silhouette with a top hat flying off. A blue banner above reads OUT FOR SUMMER.... The image is dated June 25 2026 and signed by artist Steve Nease.
A man and woman sit on a couch with soccer balls for eyes while watching World Cup coverage on television. The woman in a yellow shirt covered in international flags suggests taking a short break from the nonstop games. The man wearing a red Canada shirt and cap responds with a half-hearted agreement.
The image presents a bald man wearing a blue FIFA goalkeeper kit and oversized yellow gloves. He stands centered in a soccer goal with multiple burlap sacks printed with dollar signs placed on the field grass nearby. The scene responds to ongoing discussions about FIFA revenue from the upcoming World Cup hosted in the United States. Publication occurs ahead of the 2026 tournament schedule. The visual emphasizes financial flows connected to American soccer markets under current FIFA leadership.
At a 2026 university commencement, the speaker at the podium tells seated faculty members in caps and gowns that discussion of their situation is over before turning to the graduates. The scene reflects ongoing budget pressures on colleges and universities after the pandemic, including professor layoffs and loss of tenure.
The image presents a modified American flag with a soccer ball replacing the stars in the canton. The flag waves from a pole against a solid background. Publication occurs during the 2026 FIFA World Cup hosted in the United States, Canada and Mexico. The design places the sport at the center of national symbolism.
Arms from Trump and Bari Weiss cut the red words Freedom of Speech above three CBS circles with varying eye states. The left CBS eye is open, the middle is squinted, and the right is solid dark. The image responds to ongoing tensions over media coverage and press freedom involving CBS and public figures.
The cartoon shows two graduates in blue caps and gowns dancing energetically on a stage during what appears to be a graduation ceremony. One waves a diploma overhead while the other kicks a leg high. Three seated graduates in the background display open-mouthed expressions. A man at a podium with a microphone stands to the right. Speech bubbles contain the lines Good Lord what have we done and Let it go. They are society's problem now. The background is a plain purple curtain and gray stage floor.
The cartoon depicts the Roberts Court as a Republican elephant trampling the Voting Rights Act ahead of the 2026 elections. Multiple justices ride atop the animal as it carries a GOP 2026 flag.
Michael de Adder's cartoon depicts a bearded man at a bar, hand on forehead, holding a green gin bottle, looking inebriated. Two figures stand behind: one in a suit with sunglasses, another in an FBI jacket. The text reads 'Kash Patel thinks G-man stands for gin man.' Bottles line the shelf, beer taps and glasses on the counter. Tags like Kash Patel, FBI, gin, drinking, alcohol, drunk underscore the visual pun on FBI agents as 'G-men' versus a 'gin man' in a bar setting. The scene captures a straightforward satirical jab without deeper layers visible.
Jeff Koterba's cartoon depicts Pete Hegseth speaking to Kash Patel at a bar named Sam's, with Donald Trump sipping Diet Coke and an Uncle Sam-clad bartender resembling a political figure serving drinks. Tags like FBI, Department of War, and defense underscore the satire on Trump's nominees. The scene uses alcohol, beer, and cocktail elements to joke about Washington's political sobriety. Hegseth quips about the president's non-drinking habits making them look sober, while Patel agrees emphatically. This piece captures insider Washington dynamics with dry humor, blending bar culture and political appointments in a straightforward visual punch.
