A wheeled airline catering cart occupies the center of the frame, painted in the livery of the presidential aircraft: white upper body, curved blue lower panel, and UNITED STATES OF AMERICA lettered down the side. Its full height door hangs open on empty wire shelving. Above it a pale blue placard reads AIR FORCE ONE, with ONE struck through in red and RUN! added beside that word in the same color. Two neckties poke out from between the casters underneath, one of them the long red tie Donald Trump is known for, the only trace of the men folded up inside. The drawing responds to reports that Trump sheltered in an airline galley cart against an assassination threat traced to Iran, turning the most recognizable branding in presidential aviation into an instruction to flee. Jonathan Brown signed the lower right corner alongside inkstains.com and Cagle.com/brown.
signed
Jun
17
2026
The cartoon shows Donald Trump beside a document under an arch labeled Arc de Iran's Triomphe. Statues bear death to America inscriptions while a winged figure sits atop the structure. A speech bubble notes the peace deal required this concession.
May
26
2026
The image is a two-panel cartoon labeled yesterday and today. Yesterday panel has Trump kneeling while tapping a device and a speech bubble stating peace in Iran is at hand. Today panel shows Trump in a helmet labeled DJT holding an object aloft with the word attack in large letters and medals reading bone spurs and peace medal visible on clothing.
Apr
22
2026
Taylor Jones draws a bottle of Mezcal Gusano FBI, labeled as a producto de MAGA, with a worm at the bottom that has the face of Kash Patel, eyes wide and mouth open in apparent freak-out. The image plays on the tradition of mezcal with a gusano, or worm, inside the alcohol bottle, tying it to political themes of FBI director, justice department, and law enforcement. The worm's expression suggests inebriation or passing out, evoking ideas of drunkenness and dereliction of duty. This satirical take uses the moth larva in agave booze to comment on the 100 proof intensity of MAGA influence in such appointments. The cartoon stays simple, focusing on the bottle and its contents without added context.
Apr
6
2026
Arcadio Esquivel's cartoon splits the scene: on one side, a missile with an American flag streaks toward a planetary surface marked 'Iran,' flames trailing from its base against a blue sky. On the other, the Artemis II NASA capsule floats in space, nearing a gray lunar landscape labeled 'Moon' under a starry black backdrop. Tags including war, moon, exploration, Artemis II, NASA, Middle East, and Iran capture the visual pun. The dry humor points to misplaced priorities, where grand goals like space missions veer into military misadventures. Cagle Cartoons syndicates such pointed commentary, blending current events with sharp satire.
Mar
24
2026
Bill Day's cartoon shows Uncle Sam in American flag attire, crawling through a sandy desert with distant mountains, his trail marking exhaustion. He grips a red gas can labeled Trump, spout dripping, and yells 'Gasoline!' in a speech bubble. The scene captures desperation for fuel, tying into political satire on energy policies. Tags like political cartoon Trump gasoline, Uncle Sam crawling desert Trump gas can, satirical cartoon high gas prices Trump, Bill Day political cartoon 2026, American flag outfit man needing gasoline, and desert survival political satire Trump underscore the visual punch.
Trump's War-Ending Boast Gets a Bombastic Reality Check in Hilarious Cartoon
Trump's War Boast Bombs in Satire
Mar
4
2026
This Donald Trump cartoon masterfully captures the essence of satirical Trump presidency through political bombing humor. Trump boasts about ending seven wars, but his advisor notes the public's skepticism, leading to a pivot where he claims bombing seven countries instead, which the advisor says is 'definitely buying that.' The Trump wars satire underscores inconsistencies in Trump foreign policy cartoon style, poking fun at boastful claims versus reality. Created by Whamond, this political cartoon Whamond piece exemplifies humorous political analysis on US military satire, blending irreverent wit with insightful commentary on leadership and perception.
Feb
22
2026
The image shows a man wearing a Harvard sweater standing on the left side. He holds a string in his right hand. The string runs in a long wavy line across the frame to a graduation cap on the right. Three dollar bills lie next to the cap. The signature KUPER appears at bottom left.
Nov
20
2025
May
13
2025
The cartoon depicts Pope Leo XIV leaning toward a seated organist in a darkened church interior. The Pope asks if the organist knows Born in the USA. The large pipe organ dominates the center. The scene references the Vatican and a popular American rock song. Publication occurred on May 13 2025.
May
13
2025
On May 13 2025 the cartoon depicts a Chinese dragon dominating a tariff truce signing. Donald Trump's face appears distressed inside the dragon while holding a pen to the document labeled TARIFF TRUCE. The scene shows the dragon clutching a Chinese flag on a globe surface.
Mar
26
2025
The cartoon depicts a large tree trunk carved with the word executive and two small branches labeled legislative and judicial. The limbs appear cut or diminished against the dominant trunk. This visual responds to recent executive actions targeting federal agencies and departments in early 2025. The image highlights concerns over balance among the three branches of government.
Feb
20
2025
This political cartoon depicts a bespectacled man in a red shirt, mouth agape, holding a paper strip amid desk clutter including a lamp, computer screen, and scattered documents. He exclaims in a speech bubble: 'Honey, Since He Has All Our Personal Financial Data... I'm Going To Let Musk File Our Taxes!' The scene captures satirical essence on themes like Elon Musk influence, personal financial data privacy, tax filing absurdity, billionaire data access, humorous political commentary, and tech mogul satire. Signed by artist Daryl Cagle in 2023, the illustration uses bold lines and colors to emphasize the man's exasperated expression and chaotic workspace, poking fun at modern data dilemmas without depicting Musk himself.
