The cartoon depicts the U.S. Supreme Court building with its famous frieze inscription altered from Equal Justice Under Law to Or Whatever the Republicans Want Us to Do. This visual responds to recent rulings including the Alabama voting map decision that permitted GOP-drawn districts accused of diluting Black voter power. The image critiques the court's use of the shadow docket and perceived ideological alignment with Republican priorities on voting rights and gerrymandering.
Duginski holds Trump accountable for his campaign promise to end wars within 24 hours of taking office. The Los Angeles Times illustrator catalogs the ongoing conflicts that remain unresolved. The broken promise imagery reflects sustained journalistic skepticism of Trump's foreign policy boasts.
This tax season humor cartoon depicts an older man seated in a red armchair, penning details on an IRS 1040 form, as his wife stands nearby with a tray of steaming cups, delivering the punchline about creative writing classes paying off. The satirical view of income tax returns captures a domestic scene tax time parody, where the husband channels his educational investments into what appears to be an imaginative approach to tax filing. With a humorous take on tax preparation creativity, the illustration pokes fun at the notion of turning literary flair into fiscal advantage, all set against a simple indoor backdrop with wall art and a window view. The witty commentary underscores how seemingly unrelated skills like those from creative writing classes can 'pay off' in unexpected ways, especially during the dreaded tax season. Artist signature 'Schwadron' adds a touch of authenticity to this political cartoon on tax evasion creativity.
Trump and an Uncle Sam figure sit in a Smithsonian Museum theater watching Roots. Trump remarks this must be the movie that roots for the positive side of slavery. Heller connects the DeSantis-era benefits of slavery teaching standard to the 2025 Smithsonian content rollbacks.
In this 2011 cartoon, members of Congress dressed as cafeteria workers squeeze tomato paste onto pizza while an USDA official is tossed into a trash bin labeled nutrition guidelines. The food industry lobby stands by approvingly as a student thanks the lawmakers for being cooler than the previous lunch lady. The image captures congressional action that year to block stricter USDA rules on sodium, potatoes and what counts as a vegetable in school meals. Lawmakers effectively preserved the status of pizza and french fries on cafeteria menus by redefining tomato paste servings.
