Democratic Party figures have grown concerned that the traditional big tent coalition is contracting as radical leftists consolidate control over the party's direction and messaging. The shift sidelines moderates and narrows the range of acceptable views within the organization. This dynamic raises questions about the party's ability to maintain broad electoral appeal in upcoming cycles. The editorial takes the position that the exclusionary turn is self-defeating and accelerates the party's isolation from mainstream voters.
A man holds a sign protesting AI data centers taking land and resources. A Native American protester responds with skepticism. The July 2026 cartoon addresses growing conflicts between technology infrastructure and land use claims.
A figure wearing an I love peace shirt shows smoke rising from the head, suggesting hidden danger amid claims of nonviolence. Surrounding individuals display shirts loving money, Paris, the USA, Italy and the euro. The scene highlights contradictions between stated ideals and actions in public discourse around security threats.
Rick McKee's cartoon shows two stern FBI agents in vests and caps, carrying a limp, bearded man who's clearly intoxicated, complete with hiccups and swirling symbols overhead, clutching a bottle marked XXX. The sign above reads 'Kash and Carry,' a clear pun tying into Kash Patel, the figure depicted. This piece tags into FBI, Federal Bureau of Investigation, drunk, alcohol, agents, criminal justice, and domestic policy, poking at the idea of leadership in a haze. The dry humor lands on the absurdity of carrying someone unfit, visually straightforward without hidden layers. Newspapers love this kind of sharp, unambiguous satire that comments on current events without overcomplicating the message.
Dave Granlund's cartoon nails the frustration of high gasoline prices derailing summer road trips for families on limited budgets. Instead of hitting the highway in their autos, this crew opts for a stay home vacation, splashing in a backyard kiddie pool with the dog. The jacked-up minivan on blocks screams grounded plans, while the crossed-out 'Va' in vacation turns it into 'Staycation 2026.' It's a sharp poke at how fuel costs force folks to tighten belts, swapping grand adventures for hose-filled pools and mailbox views. Tags like gasoline prices, high cost, and stay home highlight the economic squeeze, making this a relatable jab at everyday belt-tightening.
In this political cartoon, a vast army of white chess pawns, each holding protest signs like ICE out and resist, encircles a solitary black king resembling Trump, complete with blonde hair and red tie, uttering a nervous gulp. The scene unfolds on a chessboard, symbolizing confrontation, with banners proclaiming Minneapolis strong and no kings amid American flags and memorial RIP signs for Alex and Renee. Tags such as Minneapolis ICE protests, Trump king chess, ICE out pawns, anti-ICE rally, chess protest imagery, and gulp ICE king highlight the visual satire of resistance against immigration enforcement. The composition captures a moment of overwhelming protest, emphasizing themes of uprising and defiance in a straightforward, unambiguous depiction.
The image shows two figures dressed as kings, one resembling King Charles with a sad expression and large ears, the other like Trump with blonde hair, orange skin, and a frowning face. Both wear white robes with black spots and red undersides, holding scepters. Crowns top their heads, with Trump's featuring a circled 'C'. Tags like King, Charles, UK, Trump, Visit frame this satirical take on a royal visit, poking dry fun at the unlikely duo in political cartoon form. The artwork by Rayma Suprani keeps it straightforward, emphasizing visible caricatures without hidden layers.
The political cartoon by Bob Englehart depicts Honorable Kash Patel seated at a congressional hearing table, his nameplate clear in view. With exaggerated pointed ears, a large nose, beard, and wide-eyed surprise, Patel wears a dark suit and red-striped tie. A curved vaudeville hook extends from the right, poised near his head, suggesting an abrupt removal. The dark gradient background adds drama to this satirical take on congressional testimony. Tagged with Kash Patel congressional testimony cartoon, Bob Englehart satirical illustration, vaudeville hook in political satire, exaggerated features in editorial cartoon, 2025 political cartoon on hearings, and Cagle Cartoons nomination satire, the image captures dry humor in political critique without overstatement.
On May 29, 2025, John Darkow's cartoon portrays the White House as a commercial operation where pardons are sold and all visitors must pass through a grift shop. The drawing responds to ongoing concerns about monetization of presidential powers during the Trump administration. A figure carrying a briefcase approaches the entrance beneath signs advertising pardons for sale.
A man in a green shirt and cap declares the government needs no help from Elon Musk and DOGE. A woman holding a vacuum suggests calling the White House. The man replies he must first cash Spot's social security check. The scene shows a dog resting on a blue couch. The exchange occurs in a living room setting with speech bubbles linking the dialogue.
R.J. Matson\'s cartoon titled \'Hunter Biden Pardon WWPTD?\' shows a Jesus-like figure pondering if Hunter Biden is his son, with President Trump enthusiastically suggesting unlimited pardons. The scene plays on the WWJD acronym twisted to WWPTD, featuring Trump at a desk with \'IN\' and \'OUT\' trays of papers, his hand on Trump\'s shoulder. Tags such as President, Biden, Trump, What Would Do, Jesus, Hunter, Pardon capture the blend of religious iconography and political satire. The image critiques presidential pardon practices, drawing parallels between divine forgiveness and political favoritism. Created on 2024-12-02, it reflects timely debates on executive clemency.
Pat Bagley's cartoon reimagines Leonardo da Vinci's Last Supper with a political twist, featuring Donald Trump as the central Messiah figure surrounded by MAGA hat-wearing disciples enjoying McDonalds fast food. The scene includes elements like red hats, burgers, fries, and drinks, with a bald man smiling and pointing, labeled 'FIXED IT...'. Tags such as Utah, Governor Cox, Olympics, Jesus, Mango Messiah, and 2025 election highlight the satire on recent controversies. The artwork comments on the blending of religious iconography with modern political fervor, poking fun at perceptions of Trump as a messianic leader among supporters. This timely piece ties into debates over cultural representations in events like the Olympics, offering a humorous critique through familiar fast-food imagery.
Peter Kuper's illustration captures an urban alien encounter where a small extraterrestrial, holding a device, steps down from a UFO toward a masked man gesturing in a cityscape. The speech bubble delivers dry election humor: 'You may want to wait and ask again in November.' This sci-fi political cartoon plays on the classic 'take me to your leader' trope, tying it to the 2020 election cycle visible in the date. The masked man adds a timely layer, reflecting the era's realities without overstepping into speculation. Composition keeps it simple, with blue tones enhancing the night scene and buildings in the background framing the interaction neatly.
