A Democratic donkey on a Boston pier holds a fork beside a massive oyster shell labeled allegations that has engulfed a bearded man wearing a Platner for Senate shirt. The scene references the candidate's Senate bid being blocked by recent allegations, with the donkey remarking that something smelled fishy all along. The cartoon uses the oyster bar pun and pier setting to highlight the scandal's impact on the 2026 race.
On July 10 2026 Jimmy Margulies depicts Donald Trump floating in an inflatable ring while confronting a large shark fin labeled Iran. The president issues a direct warning through a speech bubble asserting his identity and authority in the confrontation.
On July 9 2026 the cartoon shows the Statue of Liberty gazing at a reflecting pool filled with green murky water labeled Trump corruption. A banner above reads drain the swamp beside a small airplane. The figure wears an America 250 sash. The scene references ongoing political debates about government ethics and past campaign rhetoric during the America 250 period.
A large vessel labeled Peace Deal lists sharply as a white-haired figure tumbles from its deck into shark-infested waters. The image, dated July 9 2026, shows the person upside down with limbs flailing and a small object falling nearby. Fins break the surface directly beneath the trajectory. The composition emphasizes the abrupt separation from the ship and the immediate threat below. No other text or figures appear on deck.
On July 6, 2026, a cartoon depicts Donald Trump examining a phone displaying Chris Christie’s quote labeling his $2.2 billion earnings while in office as Putin-esque. Trump’s thought bubble reveals he interprets the remark as flattery rather than criticism, highlighting an ongoing dynamic between the two figures amid foreign policy references to Russia.
On July 6 2026 Joe Heller depicts a World Cup referee displaying a red card to a USA-jersey player while Donald Trump holds a sign reading LET'S MAKE A MESS OF THIS TOO. The cartoon contrasts the standard soccer penalty with Trump's alternative card. Publication occurs weeks before the 2026 World Cup begins in North America. The image places the referee on the left the player in the center and Trump on the right. Text labels identify each card clearly.
The cartoon shows two Founding Fathers seated at a table with the text of Article XIV of the US Constitution displayed above them. One figure points to the document and asks if the language on citizenship is clear enough. The other responds that only imbeciles would question it. The scene uses speech bubbles to highlight the debate over birthright citizenship provisions in the 14th Amendment.
On June 30 2026 Dick Wright depicts a hammer and sickle wielding figure lunging at a suited Democrat form. The strike sends the target figure flying apart in fragments. The image responds to ongoing debates over ideological influences within the Democratic Party during the 2026 election cycle.
A political cartoon from June 27, 2026, shows a figure representing Haitians as a voodoo doll pierced by a pin labeled SCOTUS TPS Ruling. The image responds to a Supreme Court decision affecting temporary protected status for Haitian nationals. The title references Trump voodoo, suggesting administration pressure on the court outcome. The drawing uses the doll metaphor to illustrate harm to the community from the ruling on immigration protections.
Keir Starmer appears trapped beneath fragments of a torn Union Jack while raising a blank white flag on a pole marked UK. The June 2026 image captures the moment of his resignation through visual wreckage and surrender imagery.
A Terminator-style robot marked Big Tech clutches a child labeled Future Gen. in a scorched landscape. The child holds a smartphone. A woman resembling New York Governor Kathy Hochul stands nearby, raising a finger and declaring that lawmakers passed a measure to flag AI actors in advertisements.
Jonathan Brown's cartoon presents a stark true-or-false cognitive test: if A (a fighter jet) starts a war with B (Iran), the result could be C (an oil barrel marked $100+). The map of Iran includes a hint pointing to the Strait of Hormuz, noting that 20% of the world's oil moves through there, underscoring control over this chokepoint. Tags such as cognitive test, war in Iran, oil prices, Strait of Hormuz, gas prices, and cost of war frame the satire. The artwork warns of economic fallout from conflict, with the jet trailing toward Iran and the oil barrel symbolizing surging costs. This piece captures geopolitical tensions in a simple, visual riddle.
This political cartoon shows a bulky figure in a dark suit, viewed from behind, with a hand bearing a cufflink labeled TRUMP reaching out toward a red box of McDonalds fries overflowing on a white plate. The scene is set on a table with stemmed glasses, and there's a dusting of particles on the figure's shoulder. Incorporating tags such as Donald Trump Administration USA, attack, Hilton Hotel, shooting, terrorist, lone wolf, the image pokes fun at familiar tropes of excess and impulse. The artist's signature Becs and Cagle.com/Becs appear in the corner, grounding it in syndicated cartoon tradition. Such drawings often go viral for their sharp, relatable jabs at public figures. At around 100 words, this summary captures the essence without overreaching what's drawn.
R.J. Matson's cartoon depicts Director Kash Patel behind an FBI desk, his nose elongated like Pinocchio's, as he mangles a sobriety test phrase: 'Watch me tip the touch of my nose!' The setup labels it Step 1: Deny you have a problem, with a defamation lawsuit paper slipping away. American and FBI flags frame the scene, tying into tags like Federal Bureau of Investigation, Kash Patel, field sobriety test, intoxication, drinking problem, and criminal justice. This visual pokes at perceptions of denial in leadership, blending humor with commentary on domestic policy without overreaching into unseen motives.
In this irreverent political cartoon, a vibrant Artemis II space launch rockets upward in a blue expanse on the left, symbolizing American innovation and triumph in US space exploration. Contrasting sharply on the right, a stark Arrow in Iran points downward with an orange glow against a gray sky, evoking geopolitical tension and Iranian weaponry. The caption 'Loving and hating America on the same day....' ties it together, offering a humorous take on the bipolar view of America in world news. With its simple yet effective composition, the artwork captures the absurdity of global perceptions, blending satire on international conflict with admiration for NASA's feats. This piece underscores the dichotomy in how the world engages with American power, from awe at space missions to ire over foreign policy frictions.
