A crowned Statue of Liberty figure stands in water holding a sign citing a Supreme Court decision that denies temporary protected status to Haitians and Syrians. The pedestal inscription is altered to read give me your tired your poor your huddled masses yearning to breathe free. A small boat carrying people approaches from the right amid a city skyline.
A voter at a registration desk presents identification while asking if there is an issue. The Republican elephant official responds that the problem stems from the man no longer identifying as a Trump supporter. The scene centers on a large sign requiring voter ID. This cartoon from June 2026 addresses ongoing debates over identification rules at polling places and shifting political affiliations ahead of elections.
A whimsical space scene places a snail on a soccer ball next to a ringed planet under a you are here sign pointing to a drain. The image captures a sense of smallness in the universe. The editorial position highlights the ongoing human tendency to feel insignificant when confronting vast cosmic scales and personal limitations.
The image shows the FIFA president on a soccer field drinking from a bottle filled with gold coins that spill onto the grass beside a soccer ball. Stadium seating fills the background with a blue FIFA sign visible. Large white text labels the scene as a hydration break.
At the World Cup 2026, two fans in striped shirts debate the USA men's team jerseys, with one suggesting they ask Waldo, who stands nearby in similar attire. The scene plays on the resemblance between the team uniforms and the Where's Waldo character, set against a stadium backdrop filled with other striped figures and a soccer ball in play.
The cartoon shows Donald Trump beside a document under an arch labeled Arc de Iran's Triomphe. Statues bear death to America inscriptions while a winged figure sits atop the structure. A speech bubble notes the peace deal required this concession.
The image shows a graduation stage with red curtains and a speaker at the podium delivering an apology text to graduates whose caps are seen in the front rows. The scene includes a university seal on the podium and a signature in the upper right.
The cartoon shows a 2026 graduate caught between an AI alligator on the left and a student loans alligator on the right. Both creatures stand on green grass with open jaws. The graduate wears a black gown, blue socks and a mortarboard. Text labels identify each alligator clearly. The scene is simple with no additional figures or objects visible.
Jeff Koterba's cartoon depicts Pete Hegseth speaking to Kash Patel at a bar named Sam's, with Donald Trump sipping Diet Coke and an Uncle Sam-clad bartender resembling a political figure serving drinks. Tags like FBI, Department of War, and defense underscore the satire on Trump's nominees. The scene uses alcohol, beer, and cocktail elements to joke about Washington's political sobriety. Hegseth quips about the president's non-drinking habits making them look sober, while Patel agrees emphatically. This piece captures insider Washington dynamics with dry humor, blending bar culture and political appointments in a straightforward visual punch.
Ed Wexler\\\'s cartoon captures a toll booth in the Strait of Hormuz, where figures resembling Trump and the Ayatollah enforce a $1,000,000 Bitcoin toll. Smoke rises from what look like mines in the water, blending tags like Iran, Strait of Hormuz, tolls, Bitcoin, Trump, Ayatollah, and crypto into a sharp commentary. The barrier arm blocks passage, emphasizing control over this vital shipping lane. It\\\'s a straightforward jab at geopolitical tensions, with the toll sign demanding payment to proceed. No hidden layers here, just clear visuals tying economic pressures to digital currency in a contested area. The dry humor shines through in the absurdity of a Bitcoin booth amid potential explosions.
On April 3, 2026, a political cartoon depicts President Donald Trump at the bedside of a patient in a hospital room. Trump states that Medicare and Medicaid cannot be provided because funds must support an ongoing war. The patient replies that coverage exists because Trump pays for it and the patient is wealthy. The image references the Iran War and healthcare access issues.
In a biting political cartoon, a smirking croupier oversees a prediction market table shaped like Iran, complete with explosion graphics, where punters can wager on war duration options ranging from 14 days to 5 years. This satirical take skewers the commodification of geopolitical betting, turning grave matters like Iran war into casino-style gambles. By blending elements of gambling on war with Middle East conflict, the artwork highlights the absurdity of prediction markets applied to real-world crises, offering humorous yet insightful commentary on how society speculates on political humor and potential catastrophes. The irreverent style underscores the folly of treating war length wager as just another market fluctuation.
On December 10 2025, a political cartoon by Margolis and Cox shows Supreme Court Justice Ketanji Brown Jackson in a physical struggle with Lady Justice. Jackson wears a blindfold reading Trump rage and a robe marked JUSTICE and JACKSON. She seizes the scales and sword from the traditional blindfolded figure who appears to be losing the fight. The image references ongoing tensions around the Supreme Court and recent cases involving the Trump administration.
