A three-panel cartoon depicts missiles and drones flying above cities in Gaza, Lebanon and Iran Hormuz with explosions visible. The caption rephrases Clausewitz to argue that a ceasefire continues war by the same means. The June 2026 image responds to active regional conflicts involving those locations.
The cartoon contrasts historical industrial pollution of the Great Lakes with modern data center water consumption driven by artificial intelligence growth.
On June 6, 2026, a political cartoon depicts a man approaching an AI data center funded by big tech. The facility's sign bluntly informs ordinary citizens that their objections do not matter. The drawing highlights tensions between rapid AI infrastructure growth and public concerns over environmental consequences such as pollution and resource use. The cartoonist uses the dismissive message to underscore how technology companies often proceed without community consent.
The image marks the June 6 1944 D-Day landings. Soldiers in green helmets and packs move through shallow water. Rows of white crosses stand in the surf behind them. A sign displays 6-6-44 on the right. The scene recalls the Allied invasion of Normandy during World War II.
A four-panel comic depicts a man in a lab coat outside a suburban house promoting successive infrastructure upgrades. Early panels show utility poles and power lines added for capacity expansion and grid reliability. Later scenes introduce satellite dishes for high definition service. The final panel reveals an industrial A.I. DATA CORP building releasing smoke amid pipes and additional towers. The sequence highlights how artificial intelligence facilities intensify energy use and visible environmental effects on residential areas.
The cartoon by Jonathan Brown depicts Utah Gov. Cox declaring a state of emergency over extreme drought conditions. In a panel set a few weeks earlier, the governor is shown directing a fire hose of water into the Stratos Data Center while urging to crank it up to keep China from winning the tech race. The split-panel format highlights the contrast between the water-intensive data center project and the subsequent drought response. The image uses a desert backdrop with a swirling water vortex to emphasize resource strain. Publication occurred on May 26, 2026.
The cartoon depicts a Trump figure in an orange vest tied to a pipe under an Iran flag. Sacks labeled Ukraine and Taiwan lie nearby. Two guitar players appear on hills and a nuclear barrel sits in a boat with a pointing figure in robes.
The cartoon shows three men with beards and head coverings positioned in a sandy area beside shallow water. The left figure sits holding a stringed instrument. The center figure leans forward in a red lower garment to push a head with a halo into the water. The right figure sits holding a lever device with a red top. A basket containing paper money and a radiation symbol rests near the water. A small paper boat floats on the left side of the water.
Visible elements include a suited figure extended by an orange log from a rocky cliff into water. Three bearded figures in dark robes appear: one swings an axe, two sit with cups by a fire and teapot. A chainsaw and cut log section rest on the ground. Rocky mountains and sea form the background with signature at lower left.
The cartoon by Pat Bagley shows Kevin O'Leary's head floating above scenes in Utah where supporters of a data center project are labeled first as patriotic locals then as out-of-state agitators or Chinese agents. One panel shows a woman pointing to an Elevate Utah board while another depicts a gas-masked figure beside a dead animal under a call for clean air and water. The work responds to the proposed data center in Box Elder County and related debates over power, water and air quality impacts near the Great Salt Lake.
