On July 2 2026 two figures pause outside an ice cream shop whose sign proclaims America Hits 250. The woman in a flag tank top asks if anyone can believe the country is 250 years old today. Her companion replies that the figure matches the current temperature as his cone melts onto the pavement. The exchange occurs two days before the July Fourth holiday during a period of elevated summer readings. Background buildings and greenery place the scene in an urban park setting.
A group of protesters at the reflecting pool in Washington DC dump red liquid from containers marked with toxic symbols while holding signs reading Support Iran and Death to ICE. One figure displays a swastika and another denies involvement in any pollution through a large speech bubble. The scene includes scattered debris and a skull-and-crossbones bag.
A two-panel scene shows a MAGA supporter in a red shirt stating belief in a Trump claim about vandalism, followed by an admission of constant acceptance despite a companion's skepticism about suspending disbelief.
Wireless networks face mounting pressure from rising demand and aging infrastructure, leaving users stranded when signals falter. A dead phone battery compounds the isolation during outages. The piece frames this as a cautionary view of overreliance on fragile digital systems that can collapse without warning.
The cartoon depicts a shirtless Donald Trump seated on a medical examination table while a physician sprawls on the floor amid scattered instruments. A speech bubble asserts that Mr. Trump is in perfect health. The scene unfolds in a clinical setting with green striped walls and checkered flooring. Publication occurred on May 27 2026.
Duginski holds Trump accountable for his campaign promise to end wars within 24 hours of taking office. The Los Angeles Times illustrator catalogs the ongoing conflicts that remain unresolved. The broken promise imagery reflects sustained journalistic skepticism of Trump's foreign policy boasts.
Dave Whamond draws a scene where a man views a laptop displaying Trump-ordered release of classified files on aliens and UFOs, all heavily redacted with black bars. The headline announces the declassification, but the images reveal nothing, from blurred landscapes to censored figures. The man sighs, saying it doesn't surprise him, highlighting themes of distractions and conspiracies. Tags like classified information, extraterrestrial life, UAP, flying saucers, CIA archives, and evidence of ET underscore the satire on empty revelations. The cartoon captures skepticism toward political maneuvers involving secret files.
