On January 28, 2019, the cartoon depicts President Donald Trump seated at an office desk, launching darts toward a globe with Venezuela prominently circled. The image shows multiple darts already embedded in the stand and one aimed from his raised hand. This reflects ongoing U.S. discussions about pressure on the Maduro government in Venezuela during that period.
Arcadio Esquivel's cartoon portrays Nicolás Maduro in a gun-rigged brick wall, critiquing Venezuela's dictadura and socialismo. The red backdrop amplifies tension, with the leader's angry face emphasizing paranoia. This visual satire highlights authoritarian defenses amid crisis.
The cartoon depicts a large figure resembling Nicolas Maduro, with a mustache and gold chain, emerging from dark folds with explosions overhead. Two stern men in suits peer out, one with glasses, as a woman below in Venezuela flag colors reaches up desperately. Tags like maduro, nicolas, venezuela, chavez, gobierno, atentados, drones, and terror frame the scene of political unrest. The artwork by Dario Castillejos from 2018 illustrates the chaos of attempted attacks, with flames trailing from falling objects. The composition uses dramatic scale to show the leader's dominance amid crisis, while smaller figures convey public struggle. This piece satirizes the regime's handling of threats and internal dissent.
Osmani Simanca's 2018 cartoon shows a map with USA, Cuba, Venezuela, and Latin America labeled clearly. Uncle Sam stands on the USA landmass, telescope in hand, gazing south toward a mustached man in a red suit on Venezuela. This figure, resembling Nicolas Maduro, raises a red card in one hand and a Venezuelan flag in the other, with a palm tree nearby. The Summit of the Americas tag suggests commentary on exclusion, while Uncle Sam and USA elements point to American oversight. Latin America spans the bottom, emphasizing regional dynamics in this straightforward satirical piece.
