On July 9, 2026, Pat Bagley's cartoon depicts Donald Trump pushing a cart loaded with enormous sacks labeled 2026 and $2,000,000,000.00 GRIFT. A woman in a red hat hands him a small handbag while stating that he donates his $400,000 salary. The image contrasts the tiny claimed donation against the massive grift sacks. The scene draws from ongoing discussions of presidential finances and public salary claims during the period.
The cartoon depicts two men at a bar reacting to a Supreme Court decision on the Voting Rights Act. One asks what is left to fix now that racism is declared solved. The image responds to recent rulings affecting redistricting and voter access in states like Louisiana. Justices including Roberts and Thomas are referenced in related tags. The piece highlights ongoing debates over race and electoral rules.
A suited man stands beside a campfire and rotates a pink piggy bank on a wooden spit. The bank features yellow flower decals and rests above glowing embers. A brown briefcase sits on the ground to the left of the scene. The composition centers on the act of turning the bank over heat in an outdoor setting.
The cartoon depicts a figure resembling a pope, clad in traditional white attire with a cross, standing thoughtfully amid vast urban destruction. He grips a curved staff in one hand and pulls a wheeled bin filled with cleaning implements like a red shovel, black broom, rake, and brush. The background shows collapsed buildings under a reddish sky, suggesting widespread devastation. Tags like Pope Leo XIV, Vatican, economy, Europe, world, USA, new pope, and peace frame the image as commentary on leadership tackling global crises. The dry humor lies in the pontiff's mundane tools against apocalyptic ruins, highlighting the enormity of starting anew.
The moderator at the vice presidential debate between JD Vance and Tim Walz reads the agreed rules for the evening. The list includes no muted microphones, no studio audience and no couch jokes. The two candidates stand at their podiums as the terms are announced. The exchange occurs on the date of the 2024 vice presidential debate. The rules reflect prior agreements between the campaigns on format and content limits.
This political cartoon features three panels: one with the Loch Ness Monster emerging from water, another with a UFO beaming up a cow from a farm, and a third showing a man in a CIA hat holding a test tube next to a baking powder box, labeled as lab-leak proof. The artwork ties together famous hoaxes like the Loch Ness Monster and UFO phenomena with the lab leak theory, suggesting skepticism toward claims about the virus origin from China. Artist Luojie uses simple, bold lines to highlight the absurdity, placing the CIA figure in a detective-like pose to mock intelligence reports. Tags such as hoaxes, lab leak theory, CIA, China, political, and virus underscore the satirical take on conspiracy narratives. The composition groups these elements to question the validity of unproven theories.
Peter Kuper's illustration captures an urban alien encounter where a small extraterrestrial, holding a device, steps down from a UFO toward a masked man gesturing in a cityscape. The speech bubble delivers dry election humor: 'You may want to wait and ask again in November.' This sci-fi political cartoon plays on the classic 'take me to your leader' trope, tying it to the 2020 election cycle visible in the date. The masked man adds a timely layer, reflecting the era's realities without overstepping into speculation. Composition keeps it simple, with blue tones enhancing the night scene and buildings in the background framing the interaction neatly.
