A domestic scene plays out around a simple pun on eclipses and visible marks. The exchange highlights everyday relationship dynamics where one party redirects attention from an apparent injury. The piece presents the interaction without broader political framing.
God seated on a cloud tells an angel that war, social media, political division and violence on earth amount to just a tad. The angel floats nearby with a long list of problems and asks if it is too late to start over. Scattered symbols of conflict appear below the clouds.
Todd Blanche is shown in three adjacent panels. Each panel presents a close view of the same man wearing a dark suit, white shirt and blue tie. The expressions feature narrowed eyes, furrowed brows and a downturned mouth. Slight variations appear in head angle and eye direction between the panels. The left panel includes the name Todd Blanche in capital letters at the bottom. The right panel includes a copyright notice at the bottom. All three images share a light yellow gradient background and black borders.
A whimsical space scene places a snail on a soccer ball next to a ringed planet under a you are here sign pointing to a drain. The image captures a sense of smallness in the universe. The editorial position highlights the ongoing human tendency to feel insignificant when confronting vast cosmic scales and personal limitations.
Wireless networks face mounting pressure from rising demand and aging infrastructure, leaving users stranded when signals falter. A dead phone battery compounds the isolation during outages. The piece frames this as a cautionary view of overreliance on fragile digital systems that can collapse without warning.
On January 16 2026 Kristi Noem as Homeland Security Secretary is shown praising a massive violent ICE agent. The cartoon highlights concerns over untrained agents and brutality in enforcement actions.
In a cartoon published September 29 2025 two girls converse in a sandbox about Halloween plans. The child on the right states she wanted to dress as a clown but her parents feared Trump would take it personally. The background includes playground equipment and greenery under a clear sky. The image references ongoing political tensions around the former and potential future president. Artist Christopher Weyant signed the work for the Boston Globe.
The cartoon depicts two detainees inside an ICE facility labeled migrant detention. One man, seated on a bench, states he was arrested while cleaning up debris from Texas floods. The other listens with arms crossed. The image references ongoing immigration enforcement actions and due process concerns tied to recent flooding events in Texas on or around the July 2025 publication date.
The cartoon depicts a large tree trunk carved with the word executive and two small branches labeled legislative and judicial. The limbs appear cut or diminished against the dominant trunk. This visual responds to recent executive actions targeting federal agencies and departments in early 2025. The image highlights concerns over balance among the three branches of government.
