media control

Tupac Shakur caricature spotlights guns and misogyny in rap
TUPAC SHAKUR GUN TATTOO CARICATURE by Taylor Jones, politicalcartoons.com
The caricature of Tupac Shakur covered in gun tattoos and the word misogyny responds to the persistent association of rap with firearm imagery and anti-woman themes. It underscores how such elements in hip-hop culture continue to shape public perceptions of the genre and its icons long after Shakur's death. The piece takes the position that these symbols remain central to the rapper's enduring image and the broader problems they represent.
Trump Padlock Targets Free Press
TRUMP PADLOCK SECURES FREE PRESS by Bill Day, politicalcartoons.com
Donald Trump, holding office in 2026, faces renewed scrutiny over efforts to limit press access and information flow. Critics argue these moves undermine democratic oversight. The cartoon portrays the administration as actively securing or restricting the free press through direct control.
Algorithm Police Tighten Grip on Social Media Platforms
Emad Hajjaj, Alaraby Aljadeed newspaper , London
Authorities worldwide continue expanding oversight of social media platforms through algorithmic tools and regulatory pressure to curb misinformation and dissent. This approach affects major apps including TikTok, Instagram, Facebook, and X by prioritizing content moderation at scale. The development matters because it shapes public discourse and information access for billions of users. The piece portrays such controls as heavy-handed policing that provokes public resistance.
Jul
1
2026
The big winner
THE BIG WINNER by Angel Boligan, politicalcartoons.com
Heller cartoon- Social Media Ban
HELLER CARTOON- SOCIAL MEDIA BAN by Joe Heller, politicalcartoons.com
A two-panel cartoon shows a family in USA caps holding phones and signs. The left panel references the US 250th anniversary and a planned revolt against British influence. The right panel labels the modern version as a UK ban on social media for kids, with a warning not to consider it.
Jun
22
2026
World Cup TV
Steve Nease, Freelance
A man and woman sit on a couch with soccer balls for eyes while watching World Cup coverage on television. The woman in a yellow shirt covered in international flags suggests taking a short break from the nonstop games. The man wearing a red Canada shirt and cap responds with a half-hearted agreement.
Trump and Bari Weiss Slice Apart Freedom of Speech Around CBS
CBS FREEDOM OF SPEECH TRUMP BARI WEISS by Ed Wexler, politicalcartoons.com
Arms from Trump and Bari Weiss cut the red words Freedom of Speech above three CBS circles with varying eye states. The left CBS eye is open, the middle is squinted, and the right is solid dark. The image responds to ongoing tensions over media coverage and press freedom involving CBS and public figures.
Jan
31
2026
Too Much AI Control
TOO MUCH AI CONTROL by Gary McCoy, politicalcartoons.com
warning poster Big Brother USA border eye
WARNING POSTER BIG BROTHER USA BORDER EYE by Schot, politicalcartoons.com
Nov
27
2025
Rush Hour
RUSH HOUR by Bart van Leeuwen, politicalcartoons.com
State control over media
STATE CONTROL OVER MEDIA by John Darkow, politicalcartoons.com
Republicans believe in free speech
Michael de Adder, CagleCartoons.com
Leftist Political Violence
Dick Wright, PoliticalCartoons.com
Sep
17
2025
Social Media Danger
Dick Wright, PoliticalCartoons.com
Cartoon Contrasts Radicalized Christian's Love for Jesus with Armed Liberal's Fascist Accusation
DIFFERENCE IN RADICALIZATIONS by Gary McCoy, politicalcartoons.com
Gary McCoy's cartoon from 2025 divides the frame into two scenarios on radicalization. On the left, a figure in a cap holds a sign declaring 'I ♥ Jesus!' under the label 'When a Christian becomes radicalized...'. The right side shows a sunglasses-wearing man with a rifle emitting smoke, gripping a yellow sign that reads 'CHARLIE KIRK IS A FASCIST!' labeled 'When a liberal becomes radicalized.'. Tags like MAGA, Jesus, radicalized, Christian, liberal, Charlie Kirk, gun control, mental health, religion, Donald Trump, social media, and science frame the visual commentary. The piece highlights perceived disparities in how extremism manifests across ideological lines, with the Christian side shown as affectionate and the liberal as potentially violent.
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