A wheeled airline catering cart occupies the center of the frame, painted in the livery of the presidential aircraft: white upper body, curved blue lower panel, and UNITED STATES OF AMERICA lettered down the side. Its full height door hangs open on empty wire shelving. Above it a pale blue placard reads AIR FORCE ONE, with ONE struck through in red and RUN! added beside that word in the same color. Two neckties poke out from between the casters underneath, one of them the long red tie Donald Trump is known for, the only trace of the men folded up inside. The drawing responds to reports that Trump sheltered in an airline galley cart against an assassination threat traced to Iran, turning the most recognizable branding in presidential aviation into an instruction to flee. Jonathan Brown signed the lower right corner alongside inkstains.com and Cagle.com/brown.
light of the world
Jul
23
2026
The night sky remains a quiet backdrop for stargazers in the present. Within a short time, however, proliferating satellites and debris will dominate the view overhead. The piece highlights how rapid expansion of orbital technology alters even simple moments of connection with the natural world.
Jun
17
2026
At the World Cup 2026, two fans in striped shirts debate the USA men's team jerseys, with one suggesting they ask Waldo, who stands nearby in similar attire. The scene plays on the resemblance between the team uniforms and the Where's Waldo character, set against a stadium backdrop filled with other striped figures and a soccer ball in play.
Jun
14
2026
The cartoon shows a dense crowd of spectators wearing the new red and white striped U.S. World Cup jerseys. The top text notes that the uniforms make it much harder to locate Waldo among the fans. The image references the 2026 tournament hosted by the United States, Canada and Mexico. The visual plays on the classic Where's Waldo search books by filling the scene with similar striped shirts. The artist's signature appears in the lower right.
Jun
8
2026
A cartoon published June 8 2026 shows three small aliens on a suburban lawn at night. One points toward a glowing house while a speech bubble urges focus on Knicks or World Cup tickets instead of their leader. A domed UFO rests on the grass nearby. The top banner states the secret to UFO sightings is finally revealed. The scene ties high demand for major sports events to unexplained aerial phenomena.
Trump and Iran Leader Negotiate Atop Sinking Oil Tanker in Hormuz Strait
Trump-Iran Talks on Sinking Tanker
Apr
20
2026
Emad Hajjaj\'s cartoon captures the tense Hormuz Strait negotiations between Trump and an Iranian figure on a massive tanker ship flying US and Iran flags. The scene shows them balancing a \'NEGOTIATIONS\' table on the tilting vessel, with an anchor chain and a leaking \'Strait of Hormuz\' buoy spilling oil. This Gulf war satire highlights the precarious talks amid potential sea block, where the ship appears damaged and unstable. Tags like ship, anchor, Gulf, war, tanker, talks underscore the maritime conflict theme. The dry humor lies in the literal sinking of diplomatic efforts.
Apr
16
2026
Donald Trump stands at the edge of a body of water confronting a toll booth operated by a figure resembling Ayatollah Khamenei. Small tankers sit in the water below while Trump issues a warning about walking on water. The scene references shipping routes through the Strait of Hormuz and surrounding nations.
Bruce Plante\'s cartoon captures a space capsule\'s splashdown, complete with three orange and white striped parachutes guiding it to a blue ocean teeming with black fish-like forms. The prominent text \'Thanks NASA We Needed That\' adds a layer of sarcasm, typical in editorial illustrations commenting on high-profile events like the Artemis II mission. The simple composition, with a light blue sky and wavy ocean surface, emphasizes the moment of impact, shown by a small splash at the capsule\'s base. This piece fits into the tradition of political cartoons that highlight public sentiments toward government projects, using minimal elements for maximum impact. The artist\'s signature and website appear in the top left, grounding it in syndicated cartoon style.
Mar
29
2026
Rick McKee's cartoon depicts a dimly lit museum where a striped-shirted thief, masked and wielding a hammer, targets a display case with a red gas can marked 'GAS,' overlooking iconic pieces like the Mona Lisa portrait, Venus de Milo statue, a large diamond, Van Gogh-style sunflowers painting, abstract Mondrian-like art, and smaller framed works. An 'EXIT' sign glows above, and a 'no' symbol sign hangs nearby. The scene uses tags such as Trump, war, Iran, gas prices, oil, museum to comment on how escalating fuel costs make gasoline more valuable than cultural treasures, blending humor with commentary on energy crises.
Feb
13
2026
Rick McKee's cartoon captures a domestic scene where a young girl excitedly lists her Valentines from Billy, Tommy, and a rich old man whose name the DOJ conceals, tying into tags like Epstein, Trump, Bondi, DOJ, Kash Patel, FBI. The image, set in a kitchen with cards and a pink bag labeled 'Sue's Valen Times,' uses humor to poke at ongoing scandals in criminal justice and domestic policy. Hearts and exclamations add a light touch to the heavy undertones of secrecy in GOP and Republicans circles, even touching on stocks and economy implications. This piece blends holiday cheer with pointed satire on hidden truths.
Jan
29
2026
This biting political cartoon by Michael de Adder captures Donald Trump in a childish tantrum, holding and firing a diminutive Kirstjen Nielsen as an ICE agent clutching a separated baby, symbolizing the border crisis and family separation policies. The image skewers the Trump administration's immigration policy failures, with Trump shifting blame for the humanitarian mess at the US border. Through exaggerated caricature, it highlights themes of accountability, political satire, and the human cost of harsh enforcement, making it a viral-worthy jab at leadership in US politics.
Sep
18
2025
Christo Komarnitski's cartoon captures Trump in a vulnerable, naked state, wearing only a red cap and holding a staff topped with a globe, symbolizing perhaps world domination ambitions. He drags a long train labeled 'Epstein list,' tying into scandals from Epstein connections. Facing him is King Charles III, depicted in formal attire with a crown, during what metadata calls a Trump UK visit. The tags like USA, UK, royal, crown highlight the diplomatic yet satirical encounter. Dry humor shines through the exaggerated features and absurd situation, poking at political figures' baggage. This piece fits political cartoon traditions, blending current events with visual wit.
Sep
17
2025
The political cartoon by Bob Englehart depicts Honorable Kash Patel seated at a congressional hearing table, his nameplate clear in view. With exaggerated pointed ears, a large nose, beard, and wide-eyed surprise, Patel wears a dark suit and red-striped tie. A curved vaudeville hook extends from the right, poised near his head, suggesting an abrupt removal. The dark gradient background adds drama to this satirical take on congressional testimony. Tagged with Kash Patel congressional testimony cartoon, Bob Englehart satirical illustration, vaudeville hook in political satire, exaggerated features in editorial cartoon, 2025 political cartoon on hearings, and Cagle Cartoons nomination satire, the image captures dry humor in political critique without overstatement.
May
7
2025
Cartoons like this mother's day illustration capture everyday humor with a tech twist. Here, a young boy extends a single red rose to a blonde woman in glasses, her hand to her chest in surprise. Speech bubbles blend Apple's 'i' prefix into classic greetings: 'iMom!', 'Mom!', and 'iHAPPY MOM'S DAY!'. It's a light satire on how digital branding seeps into personal moments. The pink backdrop keeps it warm and approachable, signed by Becs via Cagle.com. Such pieces remind us how tech parody fits into holiday cartoons, poking fun at modern family dynamics without overcomplicating the scene.
