The calendar moves swiftly from Independence Day celebrations to the first signs of fall. Observers often express surprise at how little time seems to have passed between the two. The piece captures that common reaction to the accelerating pace of the year. It offers a light observation on how seasons blend together without clear boundaries. The editorial stance is gently amused rather than critical of any policy or figure.
God seated on a cloud tells an angel that war, social media, political division and violence on earth amount to just a tad. The angel floats nearby with a long list of problems and asks if it is too late to start over. Scattered symbols of conflict appear below the clouds.
A grocery store scene shows two men reacting to a severe stomach bug outbreak sign by vowing to shop only in the soda, candy and chips aisles. The July 2026 cartoon captures consumer caution during a public health scare affecting produce purchases.
On July 9 2026 Donald Trump is shown crawling across the floor toward a golden trophy marked Golden Ass 2026. Two other men in business attire lean over him with shirts raised exposing their midsections. The scene places the trophy just out of reach as Trump extends one hand forward.
On the 250th anniversary of American independence, a Revolutionary War drummer expresses pride in continued civil discourse even as the Republican elephant and Democratic donkey grapple violently on the ground nearby.
The image depicts a historical figure saluting against a backdrop of American flag and fireworks on June 30, 2026. The 250th anniversary of the United States approaches, and the cartoon emphasizes national values listed in a bottom banner: kindness, hope, peace, justice, equality, science, respect, diversity and love. The composition uses red, white and blue tones with celebratory pyrotechnics to frame the gesture.
A historical figure depicted in profile raises a hand in salute against a backdrop of bursting fireworks and a large American flag. The stylized number 250 appears prominently in red white and blue. The scene marks the approaching 250th anniversary of American independence on the date of publication.
On June 19, 2026, a cartoon by Dave Granlund depicts Chinese leader Xi Jinping alongside a panda representing China. Xi holds a protest sign against the trade war while the panda reminds viewers that China supplies most American fireworks. The image addresses rising costs for July 4th celebrations tied to tariffs and supply issues with the largest provider.
The cartoon depicts two sailors aboard a ship trapped in the Strait of Hormuz due to a naval blockade. One laments the weeks-long delay and wonders if conditions can worsen. The other reports a hantavirus outbreak on board. The image responds to ongoing tensions involving Iran and disruptions to global oil routes. As of the May 2026 publication date, the blockade has halted tanker traffic and strained energy markets. The added health crisis underscores the compounding risks for crews and supply chains. The visual ties geopolitical conflict directly to immediate human and economic consequences.
This political cartoon illustrates the US Economy as a massive ship labeled accordingly, dramatically sinking after colliding with numerous icebergs each marked 'DEBT.' A speech bubble from the ship warns to alert the president about icebergs, evoking the Titanic disaster in a clear metaphor for economic peril. Incorporating tags such as economy, debt, budget, inflation, prices, and costs, the image critiques fiscal irresponsibility. The artwork by Christopher Weyant uses simple lines and colors to emphasize the collision's impact, with water splashing and the ship's hull damaged. Such cartoons often highlight how mounting debt threatens stability, drawing parallels to historical maritime tragedies for satirical effect. The composition places the ship at an angle, surrounded by floating debt bergs, underscoring inevitable crisis if warnings go unheeded.
The cartoon depicts a graduation setting with an older figure presenting a diploma to one graduate and another graduate holding a small device with mouth open. Multiple mortarboards are visible at the bottom. Text reads WHAT DO YOU MEAN AI JUST TOOK MY JOB?! Artist signature appears in upper left.
In this pointed political cartoon, an oil company platform sits atop a blue car, loaded with piles of dollar-sign money bags, while cranes dangle more profits. The frustrated motorist grips the wheel, face red with anger, illustrating how excessive profits from oil companies crush consumers at the pump. Tags like excessive profits, motorists, fuel, petrol, and refuel capture the essence, with Iran and Strait of Hormuz hinting at geopolitical tensions driving prices. This visual satire underscores the disparity between corporate windfalls and everyday drivers' pain, a timeless theme in energy politics.
