Donald Trump promotes a revival slogan aimed at Germany while Angela Merkel faces the consequences. The effort highlights ongoing tensions in transatlantic relations and questions about external influence on European domestic policy. The piece argues that such interventions impose unnecessary hardship without delivering benefits.
The cartoon depicts a dense crowd of Americans standing on a map of the United States, partially obscured by a large dark shadow cast by surveillance cameras mounted on poles. The words 'Surveillance State' appear prominently in green lettering across the scene, while a sign in the upper right reads 'CASTING A 25 YEAR-LONG SHADOW.' The image comments on the lasting effects of expanded government surveillance programs that began after the September 11 attacks, now spanning a quarter century. It illustrates how these measures continue to influence daily life and public spaces in 2026.
Uncle Sam appears as a disheveled figure on a sidewalk holding a sign requesting weapons. The image captures an ongoing national debate over military resources and international commitments. The editorial stance highlights perceived weakness in current arms policy and funding priorities.
Donald Trump suggested the U.S. should receive compensation for smoke from Canadian wildfires. The cartoon responds by showing Canadians considering a reciprocal claim for smoke from U.S. wildfires affecting British Columbia air quality. It underscores the political dynamic of mutual environmental grievances between the two nations.
A large commercial jet labeled Trump Family Grift and marked with a billions seal carries figures in its windows while a small biplane labeled Hunter Biden crashes into its nose. Debris flies as the biplane breaks apart. A speech bubble from the jet asks if anyone heard something. The July 2026 cartoon by Rick McKee uses the collision to contrast family business dealings and past scrutiny on the Biden family.
The image shows Lady Justice positioned on a height chart towering over Donald Trump who holds a sign stating he must pay E. Jean Carroll five million dollars. A quote appears at the bottom referencing the case outcome.
In a two-panel scene dated July 5 2026, office workers discuss heavy workloads caused by economic conditions, with one claiming to handle the work of three people and another fifty. The exchange shifts when a man on a bench identifies himself as a chronic offender, while a nearby newspaper headline reports British Columbia tracking 420 such individuals responsible for the majority of police files.
Koterba depicts Trump's Iran peace deal as already decomposing, covered in algae like a sunken shipwreck. The cartoon suggests the deal was hollow or insincere from the start, deteriorating almost immediately. The organic decay imagery implies diplomatic agreements built on false foundations cannot survive.
A massive soccer ball labeled for the 2026 FIFA World Cup rolls into the foreground and dwarfs the White House. A UFC Freedom 250 stage sits directly in front of the residence on the publication date when both events compete for attention.
The cartoon depicts a small Donald Trump figure positioned beside a large American flag, addressing a much taller figure in a blue suit standing next to a prominent Chinese flag. The speech bubble from Trump reads about finally seeing a friendly face and notes increased height. The title references a diminished president. Publication occurred on May 12 2026 amid ongoing US China diplomatic engagements involving trade and energy topics.
This political cartoon illustrates the US Economy as a massive ship labeled accordingly, dramatically sinking after colliding with numerous icebergs each marked 'DEBT.' A speech bubble from the ship warns to alert the president about icebergs, evoking the Titanic disaster in a clear metaphor for economic peril. Incorporating tags such as economy, debt, budget, inflation, prices, and costs, the image critiques fiscal irresponsibility. The artwork by Christopher Weyant uses simple lines and colors to emphasize the collision's impact, with water splashing and the ship's hull damaged. Such cartoons often highlight how mounting debt threatens stability, drawing parallels to historical maritime tragedies for satirical effect. The composition places the ship at an angle, surrounded by floating debt bergs, underscoring inevitable crisis if warnings go unheeded.
Emad Hajjaj's cartoon depicts a large black submarine with a red hull, stuck between orange landmasses in the Strait of Hormuz, its bow featuring an orange face with yellow hair and a red tie, clearly caricaturing Donald Trump. An American flag flies atop the vessel, while black oil spills into the blue water, reflecting the ship. Below, a smaller black tanker with a white figure onboard sails through the oily sea, tagged with Persian, Gulf, Sea, Tanker, Oil, War. The image satirizes US involvement in Middle East conflicts, particularly Iran war scenarios, without overreaching into hidden meanings. The composition is straightforward, with clear lines and bold colors emphasizing the blockage.
Arend van Dam's cartoon shows a gray battleship marked USA, complete with guns and missiles, driven by a figure in a suit at the wheel, as it goes over a waterfall between rocky cliffs under a blue sky. The image captures the essence of strategy failure in the Strait of Hormuz, tying into themes of Iran, ayatollahs, war, battleship mishaps, Middle East conflicts, oil, gas, energy, and economy. Such visuals often poke at misguided military moves, where the ship's plunge represents a dramatic downfall in strategic planning. The dry humor lies in the absurdity of a warship treating a strait like a river rapid, underscoring potential economic fallout from regional tensions. Cartoons like this thrive on clear, exaggerated metaphors that resonate with readers familiar with global news.
The image depicts a figure dressed in a white robe and red cape, complete with a glowing halo, running across the water while pulling a large oil tanker marked 'OIL' with a rope. He holds a golf club in one hand, splashing water with each step against a backdrop of mountains and a clear sky. This setup draws on tags like Trump, Hormuz, Iran, oil war, MAGA terror, and fascism to satirize political figures intervening in global oil crises. The cartoon's composition emphasizes the absurdity of a divine savior tackling economic and geopolitical issues, with birds flying overhead and distant peaks suggesting a Middle Eastern strait. Kamensky's style brings dry humor to the forefront, poking at notions of messianic leadership in turbulent times.
Marco De Angelis draws a clever twist on the ancient HYDRA myth, where a plucky red CAR, sword in hand, squares off against a beastly creature formed by three FUEL pump nozzles—green, yellow, and blue—attached to writhing black hoses. The scene plays on the endless battles drivers face with soaring OIL PRICES and FUEL costs, tying into broader ECONOMY woes. Tags like TRANSPORTATION, TRADE, WAR, CRISIS, IRAN, USA, and HORMUZ hint at real-world tensions in the Strait of Hormuz, where geopolitical strife disrupts global OIL supplies. It's a sharp commentary on how these issues regenerate like hydra heads, making every victory temporary in the fight against economic pressures.
