The cartoon depicts a doctor examining the Statue of Liberty's blood pressure and noting numerous critical issues. The Statue responds with hope that things will improve in November. A sign references July 4, 1776, and a broken torch rests on the ground. Published on September 15, 2026, the image uses the iconic figure to comment on the state of the nation ahead of upcoming elections. The visual metaphor highlights concerns about American institutions and public sentiment.
The cartoon depicts Republicans on a platform guiding a large blue vote box labeled Democratic into a trash can below while a red Republican vote box remains on the structure. A sign reads Securing Elections the G.O.P. way. The elephant symbol of the GOP points toward the action as figures including one holding a D flag stand nearby. The image comments on claims of election integrity by showing ballots from one party discarded. This reflects ongoing partisan debates over voting procedures and access as of the 2026 publication date.
The cartoon depicts the Statue of Liberty, Uncle Sam and an AI robot seated in a 9/11 group therapy session on the 25th anniversary of the attacks. The Statue of Liberty holds a book marked July IV MDCCLXXVI and speaks of deepening loss since 2001. Uncle Sam echoes the sentiment of end days. The AI figure, labeled with a rising doomsday plot progress chart, retorts that the others have seen nothing yet. The scene uses national symbols to reflect persistent national trauma and emerging technological threats two and a half decades after the September 11 attacks.
The cartoon by Graeme MacKay contrasts Theodore Roosevelt's famous speak softly and carry a big stick approach with Donald Trump's version of yelling loudly and spinning a stick covered in tariffs. In the lower panel Trump appears dizzy from the motion as a Canadian hand offers toilet tissue labeled tariff-free wipes. The image comments on recent US tariff actions and their impact on Canadian trade relations as of the September 2026 publication date.
A new editorial cartoon depicts the Oval Office overrun with sticky notes labeling everyday items as America. The scene highlights signs of dementia through repeated branding on phones, desks, food and furniture. Published on September 9, 2026, the work comments on ongoing concerns about cognitive fitness in the presidency. The visual uses the familiar setting of the White House to underscore confusion and memory issues. Observers note the cartoon captures public debate over leadership capacity without naming specific individuals.
The cartoon depicts a dense crowd of Americans standing on a map of the United States, partially obscured by a large dark shadow cast by surveillance cameras mounted on poles. The words 'Surveillance State' appear prominently in green lettering across the scene, while a sign in the upper right reads 'CASTING A 25 YEAR-LONG SHADOW.' The image comments on the lasting effects of expanded government surveillance programs that began after the September 11 attacks, now spanning a quarter century. It illustrates how these measures continue to influence daily life and public spaces in 2026.
The cartoon shows a Canadian castle flying its flag while a cannon labeled Tariffs explodes backward toward a figure resembling Donald Trump. The scene responds to ongoing trade tensions where U.S. tariffs on Canadian goods prompted retaliatory measures. The visual emphasizes the policy rebounding on its originator rather than achieving intended pressure.
A bookstore window features a prominently displayed book titled The Threats to Democracy and Free Speech alongside a sign announcing its ban. The scene underscores ongoing debates over book removals from public access. The editorial position criticizes such bans as direct assaults on open discourse and democratic principles.
A wheeled airline catering cart occupies the center of the frame, painted in the livery of the presidential aircraft: white upper body, curved blue lower panel, and UNITED STATES OF AMERICA lettered down the side. Its full height door hangs open on empty wire shelving. Above it a pale blue placard reads AIR FORCE ONE, with ONE struck through in red and RUN! added beside that word in the same color. Two neckties poke out from between the casters underneath, one of them the long red tie Donald Trump is known for, the only trace of the men folded up inside. The drawing responds to reports that Trump sheltered in an airline galley cart against an assassination threat traced to Iran, turning the most recognizable branding in presidential aviation into an instruction to flee. Jonathan Brown signed the lower right corner alongside inkstains.com and Cagle.com/brown.
A domestic scene plays out around a simple pun on eclipses and visible marks. The exchange highlights everyday relationship dynamics where one party redirects attention from an apparent injury. The piece presents the interaction without broader political framing.
Donald Trump signaled openness to ending a ban on US alcohol imports into Canada during a meeting with Canadian officials. Provincial leaders including David Eby and Doug Ford responded with unified opposition. The cartoon portrays the premiers as a collective force of resistance and shows Trump deferring the decision to his team.
Canadian wildfires have produced widespread smoke affecting air quality across regions. The debate centers on whether climate change drives the fires or if other factors dominate. Public discourse shows persistent skepticism despite visible evidence. The piece highlights how some reject the link between rising temperatures and increased fire activity. It critiques the refusal to acknowledge observable environmental changes tied to climate patterns.
A DHS vetting document for an ICE agent position features Yosemite Sam with an approved stamp. The form lists disqualifying details in physical, emotional and experience sections. Red text urges hiring the figure anyway. The image highlights screening processes within immigration enforcement agencies.
Donald Trump expanded tariffs across trading partners in mid-2026, triggering immediate market volatility and diplomatic pushback. The move raised costs for consumers and businesses reliant on imports. The piece portrays the policy as an indiscriminate barrage that disrupts daily life and global commerce.
Keir Starmer exits the revolving door at 10 Downing Street while Andy Burnham enters from the opposite side. Starmer wears a dark suit with a red tie and glasses. Burnham has his name printed on the back of his jacket. A sign in the corner reads now serving number seven prime ministers in a decade. The image shows rapid leadership turnover at the United Kingdom government headquarters. It responds to ongoing political instability marked by multiple changes in the prime minister position over the past ten years, with the latest transition from Starmer to Burnham continuing the pattern of short tenures in the role.
