Sean Delonas captures Donald Trump as a rotund king lounging on a throne in a dimly lit castle hall, complete with a bishop crowning him with a glowing crown and a scepter in hand. Surrounded by medieval figures like guards, a jester, and courtiers, Trump faces a modern reporter wielding a microphone and notes, demanding to know what gives him the right to just attack other nations. The cartoon blends historical pomp with contemporary critique, tagging into Trump, wars, Iran, Venezuela, press, king, media, counterterrorism, military, policy, and president themes. The dry humor underscores the absurdity of unchecked power, with the artist's signature style emphasizing exaggerated features and satirical edge.
Paresh Nath's January 2026 predictions panel series opens with a fortune teller viewing a crystal ball. Subsequent sections show a Trump tornado, an elephant and donkey arguing over the US 250th anniversary, leaders tugging at a globe, a UN figure pondering conflict zones, China boosting influence in the global south, a robot waving a jobs sign amid chaos, workers chasing clean tech, and athletes from USA, Canada and Mexico scrambling for a World Cup football.
A four-panel cartoon by Peter Kuper illustrates the consequences of fossil fuel consumption. The sequence begins with a red-skinned figure bearing an oil rig tattoo sipping from a glass containing a palm-tree island under an American flag umbrella. Subsequent panels show the island burning, then battered by storms and lightning, and finally the glass melting into rising blue water filled with fish. The work responds to ongoing debates over fossil fuel profits, U.S. environmental policy, and international climate commitments as of October 2025. It highlights tensions between energy extraction and the Paris Accord goals ahead of COP 30 discussions.