The image marks the June 6 1944 D-Day landings. Soldiers in green helmets and packs move through shallow water. Rows of white crosses stand in the surf behind them. A sign displays 6-6-44 on the right. The scene recalls the Allied invasion of Normandy during World War II.
The cartoon depicts two soldiers in different uniforms aiming pistols at each other across a chessboard marked peace negotiations. A large blue banner reading ceasefire hangs above with multiple bullet holes and tears. One soldier declares it is all in the game. The scene illustrates the tension in ongoing Middle East ceasefire efforts involving multiple parties.
A father and son play catch in a backyard on a date near Father's Day. The boy, mid-throw, asks his father how they will remember the moment without recording it on a phone. The cartoon addresses ongoing concerns about technology interrupting direct experiences and family time.
The cartoon shows two graduates in blue caps and gowns dancing energetically on a stage during what appears to be a graduation ceremony. One waves a diploma overhead while the other kicks a leg high. Three seated graduates in the background display open-mouthed expressions. A man at a podium with a microphone stands to the right. Speech bubbles contain the lines Good Lord what have we done and Let it go. They are society's problem now. The background is a plain purple curtain and gray stage floor.
The cartoon shows a 2026 graduate caught between an AI alligator on the left and a student loans alligator on the right. Both creatures stand on green grass with open jaws. The graduate wears a black gown, blue socks and a mortarboard. Text labels identify each alligator clearly. The scene is simple with no additional figures or objects visible.
The cartoon depicts multiple white chickens with red combs running in panic inside a brown Chicken House setting. Feathers fly as the birds flap wings and kick up their legs. Large yellow text at the top reads CHICKEN HOUSE above orange text stating HOUSE GOP TERRIFIED OF WAR POWERS RESOLUTION VOTE. The scene uses simple lines and solid colors with no additional figures or objects visible beyond the chickens and text.
A man in bed examines a phone displaying a news alert about recent and upcoming events. The scene includes an Uncle Sam style hat and a blanket patterned with stars. The bottom text labels the scene as a morning routine. Publication occurred on May 20 2026.
The cartoon depicts Donald Trump and Xi Jinping standing side by side at a USA-China summit in 2026. American and Chinese flags stand behind them on a red carpet. A blue shape labeled Strait of Hormuz runs across the carpet floor. A red sign displays USA-China Summit 2026. The artist signature Matson appears in the corner along with caglecartoons.com credit.
The image depicts an elephant character in a blue suit and red tie facing a caricature figure with yellow hair. The elephant's speech bubble lists concerns about gas prices, cost of living, and midterms. The other figure's speech bubble mentions fixing issues with a patio deck. The drawing includes the artist signature WHAMOND and Cagle.com/whamond credit line.
The cartoon depicts a graduation setting with an older figure presenting a diploma to one graduate and another graduate holding a small device with mouth open. Multiple mortarboards are visible at the bottom. Text reads WHAT DO YOU MEAN AI JUST TOOK MY JOB?! Artist signature appears in upper left.
In this pointed political cartoon, an oil company platform sits atop a blue car, loaded with piles of dollar-sign money bags, while cranes dangle more profits. The frustrated motorist grips the wheel, face red with anger, illustrating how excessive profits from oil companies crush consumers at the pump. Tags like excessive profits, motorists, fuel, petrol, and refuel capture the essence, with Iran and Strait of Hormuz hinting at geopolitical tensions driving prices. This visual satire underscores the disparity between corporate windfalls and everyday drivers' pain, a timeless theme in energy politics.
On May 2 2026 the cartoon depicts the Roberts Court as a bird-like figure shattering the Voting Rights Act. The image shows the court releasing multiple Jim Crow labeled birds into the air. This visual responds to ongoing Supreme Court actions affecting voting access and redistricting rules.
Michael de Adder's cartoon captures a handshake between King Charles and President Trump, set against American and implied British flags in a White House-like scene. The title 'KING MEETS PRESIDENT' tops the image, with Charles saying, 'Yet I'm the one defending democracy.' Tags like UK, United Kingdom, States, America, White House, Visit, State underscore the diplomatic theme. This satire touches on trade, tariffs, and economy without overreaching into unseen motives. The dry humor lies in the visual irony of two leaders in suits, one royal and one presidential, amid formal backdrops. Artistic style uses crosshatching for depth, keeping focus on the central exchange.
Dave Whamond's cartoon splits the scene between Trump's Cabinet of stern-faced men in suits and Trump's Liquor Cabinet, where caricatures labeled Hegseth and Patel emerge disheveled amid bottles and barware, poking at Trump's cabinet problems. The dry humor targets Kash Patel as FBI director nominee and Pete Hegseth for Secretary of Defense, amid drinking allegations and excessive drinking claims from The Atlantic. Unexplained absences and AWOL accusations add to the satire of unfit picks, with a defamation lawsuit looming. This piece captures the irony of Trump's best people turning into a partying liquor cabinet fiasco, all in a straightforward, insider jab at political absurdity.
Jeff Koterba's cartoon depicts Pete Hegseth speaking to Kash Patel at a bar named Sam's, with Donald Trump sipping Diet Coke and an Uncle Sam-clad bartender resembling a political figure serving drinks. Tags like FBI, Department of War, and defense underscore the satire on Trump's nominees. The scene uses alcohol, beer, and cocktail elements to joke about Washington's political sobriety. Hegseth quips about the president's non-drinking habits making them look sober, while Patel agrees emphatically. This piece captures insider Washington dynamics with dry humor, blending bar culture and political appointments in a straightforward visual punch.
