Liberal leadership candidates have identified a prominent opponent as their primary focus in an ongoing contest. The opponent, labeled Doug, appears as a large and visible figure in the political landscape. This dynamic highlights how one individual can dominate attention during a party’s internal selection process. The piece presents the situation as an opportunity for the candidates to rally around a clear adversary rather than internal divisions.
A group of figures equipped with hammers, pickaxes and a bucket labeled voucher school supplies approaches a brick building marked public education. One suited man in the foreground points forward while holding a pickaxe. The July 2026 image from Pat Bagley highlights ongoing debates over school voucher programs and their impact on traditional public schools.
A two-panel cartoon shows a family in USA caps holding phones and signs. The left panel references the US 250th anniversary and a planned revolt against British influence. The right panel labels the modern version as a UK ban on social media for kids, with a warning not to consider it.
The cartoon from May 2026 shows six Supreme Court justices in black robes against a red curtain. Central figures include Clarence Thomas laughing with a Coke, Brett Kavanaugh with a beer, and others with stern or smirking expressions. Gold text reads Our Corrupt Runneth Over. The image references ongoing ethics debates involving several conservative members of the court.
The cartoon shows Supreme Court justices in black robes gathered with backs to the viewer. One figure on the right wears a colorful jester hat with bells and a red nose. A blue sign in the upper left reads the SUPREME COURT. The image responds to ongoing debates over Justice Alito and recent Biden appointments to the bench.
Jeff Koterba draws Trump in tuxedo, fist raised high, gripping a flagpole with a red banner proclaiming 'Build the Ballroom.' Surrounded by figures in formal wear, the scene captures a moment in a Washington ballroom, tagging into press and journalism themes. The cartoon nods to an assassination attempt in Butler, with secret service elements visible. Trump's caricature dominates, his expression set as agents cluster around. This piece fits into White House Correspondents' Dinner aftermath, blending fist symbolism with ballroom absurdity. Tags like flag and tuxedo underscore the satirical take on political resilience.
A homeowner stands at his doorway on Halloween night holding a bowl of candy. Three figures dressed in white pointed hoods and robes approach with buckets labeled BOO. The man remarks that the visitors insist they represent the Young Republicans rather than ghosts. The image references recent leaks from a Young Republicans chat group containing racist content. Publication occurred on October 20 2025 near the holiday.
ICE agents stand in a station viewing a lineup of five robed figures resembling justice symbols. Each figure holds scales and a sword while blindfolded. Skin tones differ across the group. A caption at the bottom states that they all appear to be present illegally. The scene includes a homeland security emblem on a nearby door and tactical gear on the agents.
On September 5, 2025, the cartoon depicts Pete Hegseth and Sen. Mike Lee as pilots of small aircraft circling a large War Department sign. One plane carries the label Lolita Express. Text at the bottom reads After This, Another Parade. The scene references ongoing discussions about defense leadership and military displays during the period.
The December 2017 cartoon shows a large figure in striped trousers using a brick broom to sweep away a cluster of small figures. The image responds to ongoing US border wall discussions and immigration enforcement actions active that month. The visual presents the policy as aggressive removal of people from the area near the figure's feet.
The October 2015 drawing shows a mother and two children whose lower bodies merge into brick walls. A suitcase formed of the same material sits at the woman's feet. The figures stand close together with the mother cradling one child. The smaller child on the left reaches toward the group. The composition uses the brick pattern to cover legs and torso sections. No other elements appear in the white background. The signature and website appear at the lower right.
