A horse figure wearing an Alberta flag blanket and a top hat marked with a maple leaf walks forward on June 29 2026. One speech bubble reads HAPPY CANADA DAY while the second reads LET ALBERTA DECIDE. The figure holds a red maple leaf in its mouth. The image marks Canada Day with a visual reference to Alberta identity and a statement on provincial decision making.
Donald Trump appears in four panels dated June 2026 preparing for the FIFA World Cup hosted by USA Canada and Mexico. He carries a rock shaped like a ball then paints it to resemble a soccer ball. A player numbered 5 kicks the ball and ends up on the ground while Trump points at him.
The cartoon shows three astronauts on the moon\\\\\\\'s surface, with Earth visible in the background. One holds a sign reading America First while carrying a weapon, another grips a document titled Extraction with a mining diagram, and the third wields a pickaxe next to a plaque stating We came in peace for all mankind from July 1969 A.D. near the Apollo 11 lander flagged with the US stars and stripes. A speech bubble declares Wow, we really were woke! The scene captures space race satire, lunar exploration humor, political cartoon commentary on shifting priorities from global peace to nationalistic resource grabs, all in Patrick Chappatte\\\\\\\'s style.
Pat Bagley's 'King Trump' captures a regal Donald Trump caricature seated on an ornate golden throne marked with a prominent 'T,' his expression stern as he grips a smoking pistol. Surrounding the throne's base lie several jester figures in black-and-white outfits, sprawled lifelessly with red blood spots, evoking themes of comedy suppression. Tags like Kimmel, Colbert, and Charlie Kirk hint at late-night hosts and conservative voices, but the image sticks to visible elements: the king's red robe, ermine trim, and the smoky aftermath. This piece comments on cancel culture, GOP dynamics, MAGA loyalty, hate, humor, and first amendment issues without overt labels, relying on caricature for impact. The dry wit underscores a tyrant's intolerance for jesters, a straightforward jab at power and censorship.
Arcadio Esquivel's cartoon presents three SALIDA doors with symbols of exile plane, prison bars, and coffin, faced by a mustached man. It captures dire choices in clean lines, fitting tags like Maduro, Venezuela, dictator. Dry humor underscores power's limits, primed for syndication.
The cartoon shows two 2025 graduates in caps and gowns holding diplomas. They stand on pavement with grass behind them. One graduate states a goal of moral integrity and a law firm job free from political favoritism. The image uses simple lines and a speech bubble for the text. Tags include graduation, diploma, law firm, and 2025 class. The artist signature appears at the bottom. No other figures or objects are present.
The cartoon depicts a massive DOGE figure wielding chainsaws while two seniors labeled Social and Security express concern on a sidewalk. Text on the wall recites an updated version of the 'First they came' poem listing USAID, FBI, NOAA, FEMA and the Department of Education. The seniors reply that a nice man promised to care for them. The image responds to 2025 efforts by the Department of Government Efficiency to reduce federal agencies and spending.
The three-panel image shows Elon Musk in a suit and MAGA cap holding a shotgun labeled DOGE. The top panel has him saying ready. The middle panel shows him saying fire while flames shoot from the barrel. The bottom panel shows him saying aim amid smoke and blur. The order reverses the usual ready aim fire sequence.
