The long-standing adage that only death and taxes are certain receives fresh treatment in a cartoon depicting an IRS outpost operating in hell. No specific policy change or ruling prompted the piece, which instead plays on the enduring public frustration with tax collection as an inescapable force. The editorial stance pokes at bureaucratic persistence, suggesting the tax man follows citizens beyond the grave with the same relentless efficiency seen in life.
A MAGA supporter insists Donald Trump could not be involved with Natalie Harp due to an age difference. The woman responds by holding up Epstein files and agreeing to that explanation instead. The piece highlights ongoing scrutiny of Trump associates and past Epstein connections amid fresh allegations.
A sealed Epstein file folder with a red tie emerging from it illustrates arguments against full release of the documents, citing potential damage to numerous influential individuals connected to the case.
A man in a MAGA hat and yellow shirt shows visible anger with steam lines near his head while facing another man holding an Epstein files box. A yellow sign reading how to get MAGA obsessed again stands amid stacks of boxes. The bottom caption references a rich old man touching the reflecting pool.
Peter Kuper nails the absurdity of Trump White House cabinet positions in this sharp cartoon. Five stylized figures march through stages: incoming in red, striding confidently; acting with a pointing gesture; distrusted standing still; humiliated bent over in shame; outgoing fleeing with a kick. Labels underscore the progression from promise to humiliation. Tags like cabinet turnover, political satire, administration instability, Trump firings, White House staff cycle, and executive distrust highlight the revolving door of appointments. It's a dry commentary on the chaos, where loyalty meets betrayal in quick succession. The simplicity amplifies the bite, making it perfect for syndication.
Four-panel sequence by Peter Kuper depicts an older man in a rust-colored jacket and blue jeans walking a spotted dog on a red leash. The leash snaps, the dog shifts into a skeletal robot form covered in binary code, and the final panel shows the robot lunging at the man with red impact marks near his face. The background changes from simple sky and grass to a green city skyline filled with ones and zeros. The cartoon carries the title The Dangers of Unregulated A.I. and is signed KUPER.
