The cartoon reimagines the Mayflower voyage with an ICE-labeled iceberg in its path. Agents stand ready on the ice as the ship labeled Mayflower approaches under full sail. The top text poses a hypothetical about applying current enforcement standards to 1620 arrivals. Publication falls near Thanksgiving 2025 during heightened focus on deportation operations and border policy.
The cartoon depicts Donald Trump next to a Thanksgiving turkey positioned on a chopping block. Trump extends a hand while the turkey asks if the figure is ready and admits uncertainty about his identity. The image references the annual presidential turkey pardon custom. Publication occurs on November 11, 2025, near the holiday season. The visual ties the pardon practice to the familiar bird ritual.
The cartoon depicts Donald Trump inside a stopwatch rebranded from 60 Minutes to Spin-Its. Repeated LIE text surrounds the dial. The image criticizes the news program for soft coverage rather than hard-hitting questions during a recent interview.
This political cartoon uses the nursery rhyme 'This Little Piggy' to satirize political corruption, power dynamics, and the manipulation of institutions like Congress and the Supreme Court. Each finger represents a different aspect of political critique, from corruption to the surrender of power, culminating in a commentary on dictatorship. The illustration employs humor and allegory to convey a strong political message about the current state of governance and influence.
On October 31 2025 Donald Trump and Xi Jinping are depicted shaking hands over a table. Each national flag is mounted on a wooden base labeled Made in China. The image highlights ongoing economic interdependence between the United States and China despite political differences. Trade and production issues remain central to bilateral relations at the time.
A giant pumpkin carved with Donald Trump's features and labeled authoritarianism looms outside a child's bedroom window on Halloween night, denying the existence of the Great Pumpkin in a speech bubble.
On October 21 2025 a political cartoon by Margolis and Cox depicts a Democratic donkey at a doorstep offering candy to figures resembling Barack Obama and Joe Biden dressed as kings for Halloween. The donkey exclaims approval of the costumes while one king questions the term. The image references the No Kings theme and critiques Democratic support for prominent leaders amid ongoing political debates.
A homeowner stands at his doorway on Halloween night holding a bowl of candy. Three figures dressed in white pointed hoods and robes approach with buckets labeled BOO. The man remarks that the visitors insist they represent the Young Republicans rather than ghosts. The image references recent leaks from a Young Republicans chat group containing racist content. Publication occurred on October 20 2025 near the holiday.
On October 16 2025 a political cartoon by Bruce Plante depicts three children on a suburban sidewalk during Halloween night. A child in a Donald Trump costume sits on the pavement with candy spilled from a bag after an apparent fall. A child dressed as Frankenstein stands nearby and says the Trump costume was a bad idea while another child in a witch costume runs away. The scene references ongoing political perceptions of Trump around the 2025 period.
A political cartoon depicts two children trick-or-treating at a suburban home on Halloween night during a government shutdown. One child dressed as the Statue of Liberty asks a woman on the porch for sandwiches because their parents worked for the government and now face furloughs. The scene references food banks and soup kitchens as families seek alternatives amid the shutdown.
The cartoon depicts the Chicago Bean sculpture reflecting numerous ICE agents in formation. A woman stands in the foreground holding a bag. The image responds to immigration enforcement operations active in Chicago around early October 2025.
Pat Bagley's 'King Trump' captures a regal Donald Trump caricature seated on an ornate golden throne marked with a prominent 'T,' his expression stern as he grips a smoking pistol. Surrounding the throne's base lie several jester figures in black-and-white outfits, sprawled lifelessly with red blood spots, evoking themes of comedy suppression. Tags like Kimmel, Colbert, and Charlie Kirk hint at late-night hosts and conservative voices, but the image sticks to visible elements: the king's red robe, ermine trim, and the smoky aftermath. This piece comments on cancel culture, GOP dynamics, MAGA loyalty, hate, humor, and first amendment issues without overt labels, relying on caricature for impact. The dry wit underscores a tyrant's intolerance for jesters, a straightforward jab at power and censorship.
Three men at a diner counter react to rising coffee prices in a cartoon published September 15, 2025. The central figure warns against speaking until the grumpy patron in the green cap sees the cost. The scene ties directly to ongoing inflation and tariff policies affecting consumer goods under President Trump.
On September 9, 2025, a political cartoon depicts Representative Klunk leaving the Capitol building while a news reporter captures his statement that Congress addressed inflation by voting itself a pay raise. The scene shows the lawmaker in a suit and tie holding a briefcase, with the Capitol dome and trees in the background under a sunny sky. The cartoon highlights the disconnect between public economic concerns and legislative self-benefit.
The drawing shows the U.S. Capitol building bearing a prominent sign reading Dictator in Chief. Large lettering above the dome proclaims Yeah! I Own Them! while a separate line of text asks Sir, Executive, Legislative, and Judicial? The composition merges elements of the Capitol dome with a classical columned facade bearing the inscription Equal Justice Under Law.
