Donald Trump appears inside an open government vault surrounded by spilling money bags and orders the blinds closed. The scene highlights concerns over financial secrecy and lack of transparency in high office. The piece takes the position that such actions undermine public trust in how funds are handled.
A wheeled airline catering cart occupies the center of the frame, painted in the livery of the presidential aircraft: white upper body, curved blue lower panel, and UNITED STATES OF AMERICA lettered down the side. Its full height door hangs open on empty wire shelving. Above it a pale blue placard reads AIR FORCE ONE, with ONE struck through in red and RUN! added beside that word in the same color. Two neckties poke out from between the casters underneath, one of them the long red tie Donald Trump is known for, the only trace of the men folded up inside. The drawing responds to reports that Trump sheltered in an airline galley cart against an assassination threat traced to Iran, turning the most recognizable branding in presidential aviation into an instruction to flee. Jonathan Brown signed the lower right corner alongside inkstains.com and Cagle.com/brown.
Keir Starmer exits the revolving door at 10 Downing Street while Andy Burnham enters from the opposite side. Starmer wears a dark suit with a red tie and glasses. Burnham has his name printed on the back of his jacket. A sign in the corner reads now serving number seven prime ministers in a decade. The image shows rapid leadership turnover at the United Kingdom government headquarters. It responds to ongoing political instability marked by multiple changes in the prime minister position over the past ten years, with the latest transition from Starmer to Burnham continuing the pattern of short tenures in the role.
Nicaraguan President Daniel Ortega has publicly stated there will be no more elections, a move that solidifies his long-term grip on power. The declaration comes amid ongoing concerns over democratic backsliding in the Central American nation. This development matters because it removes any remaining avenues for political opposition and citizen participation in governance. The accompanying editorial takes the position that Ortega's action represents a deliberate destruction of democratic institutions rather than a legitimate policy choice.
Lady Justice leaves the FIFA VAR room in the image dated July 14 2026. She carries tilted scales and a sword while walking toward a bright exit sign. Inside the open doorway referees examine multiple screens under a soccer ball emblem on the door. The scene shows the figure moving rightward with motion lines near her feet.
A mother reads a bedtime story to her child, altering the three little pigs tale to accuse the big bad wolf of lying about spending millions of taxpayer dollars to add a ballroom to the house of bricks. The scene unfolds in a child's bedroom with a basketball hoop visible through the door and a green lamp on the nightstand. This image responds to recent controversies over public fund misuse for private or extravagant projects by political figures.
On the 2026 publication date the image shows Elon Musk on a Mars like surface beside a SpaceX labeled rocket. Emaciated figures reach for bread he holds while others lie amid bones and a pile of potatoes rests near a pitchfork.
The cartoon depicts an elderly woman in a yellow top and purple skirt standing with a man in a white shirt and blue tie beside a large gray truck with its door open. Speech bubbles show the woman assuming a drive to dinner and the man citing current gas prices while suggesting she show some calf. The scene includes grass, sky, and tire marks on the ground.
Dave Whamond's cartoon splits the scene between Trump's Cabinet of stern-faced men in suits and Trump's Liquor Cabinet, where caricatures labeled Hegseth and Patel emerge disheveled amid bottles and barware, poking at Trump's cabinet problems. The dry humor targets Kash Patel as FBI director nominee and Pete Hegseth for Secretary of Defense, amid drinking allegations and excessive drinking claims from The Atlantic. Unexplained absences and AWOL accusations add to the satire of unfit picks, with a defamation lawsuit looming. This piece captures the irony of Trump's best people turning into a partying liquor cabinet fiasco, all in a straightforward, insider jab at political absurdity.
Gary McCoy's cartoon depicts two bearded Iranian clerics inside the Iran Kwik-Mart, promoting a free barrel of oil with Slurpee purchase to handle surplus crude. Outside, a hooded figure dumps an oil barrel into a car trunk, lamenting U.S. blockades on shipping ports. The image ties into Strait of Hormuz tensions, oil prices, Trump-era policies, Iran's Revolutionary Guard, and Middle East conflicts, highlighting ironic solutions to energy surplus amid international sanctions and naval standoffs. Commercial ships and tankers face barriers, forcing creative disposal methods in this dryly humorous take on global oil dynamics.
This satirical political cartoon depicts a bizarre lunar scene where a green alien is climbing a gushing oil derrick, tethered by rope to a spacesuit-wearing figure holding a 'TACO' sign. The backdrop includes a cratered moon surface, a starry sky, and a blue planet, with the white rocket labeled 'ARTEMIS 2 MAGA OIL MOON' emitting green smoke. A ladder leans against the rocket's open door, and a black barrel sits nearby. The imagery humorously critiques ambitious lunar exploits, blending space exploration with oil drilling fantasies in a visually striking composition that highlights the absurdity of extraterrestrial resource grabs.
The cartoon depicts an anthropomorphic Easter bunny, dressed in a pink polka-dot outfit, leaping in frustration at a gas pump displaying 'UP & UP!' and dollar signs, while holding a fuel nozzle. Nearby stands a white delivery van labeled 'E. Bunny EGG DELIVERY,' filled with boxes of colorful Easter eggs. The headline 'Hopping mad about gas prices...' ties into the bunny's hopping nature and anger over soaring gas prices. Tags like holiday, easter egg delivery, bunny, gas prices soar, pumps, per gallon, hopping mad, iran war oil hike, and fuel disruption highlight the satire on how rising fuel costs, possibly from geopolitical events, disrupt even whimsical traditions like Easter deliveries. This visual pun combines seasonal cheer with economic frustration, making it relatable for audiences facing high per gallon rates during holiday travel.
A hospital room scene depicts a patient lying in bed connected to monitors showing a flat red line. Medical equipment stands nearby including an IV bag marked NINA. Large yellow letters spell out a continuous tone across the upper portion of the room. An open doorway leads out beside the bed labeled Rural Hospitals at the base.
Peter Kuper's cartoon depicts a door with ornate gold trim labeled 'The Oval Offi,' partially obscured by a skeletal alien figure extending bony arms outward arms outward, one hand clawing at the glass panes. The figure's skull-like head with large eyes peers out, and below, a speech bubble reads 'Take me from your leader?!' Grass or shrubbery lines the bottom, with the signature 'KUPER' at the lower right. This setup twists the classic alien phrase into a plea for rescue, fitting presidency satire, Oval Office humor, extraterrestrial parody, skeletal cartoon, White House illustration, and political leader commentary in a straightforward line drawing style.
On October 21 2025 a political cartoon by Margolis and Cox depicts a Democratic donkey at a doorstep offering candy to figures resembling Barack Obama and Joe Biden dressed as kings for Halloween. The donkey exclaims approval of the costumes while one king questions the term. The image references the No Kings theme and critiques Democratic support for prominent leaders amid ongoing political debates.
