Tensions between the Trump administration and longtime allies Canada and the European Union have prompted closer bilateral cooperation between Ottawa and Brussels. The cartoon captures the contrast between American anger and allied warmth. It argues that Trump's confrontational style is pushing partners together and isolating the United States.
The cartoon shows Donald Trump angrily kicking a USPS mailbox, causing mail ballots to scatter, while clutching a sign labeled MAIL BALLOT RULE. The mailbox is labeled SUPREME MAILBOX at the base. Published on September 16, 2026, the image responds to debates over mail voting procedures and potential Supreme Court involvement in election rules. The visual metaphor illustrates opposition to expanded mail ballot access by depicting physical disruption of the postal system. Trump is caricatured with windblown hair and an open-mouthed expression of rage. Scattered ballots on the ground reinforce the theme of discarded votes. The piece uses the familiar USPS eagle logo and blue mailbox design for immediate recognition.
The Kennedy Center facade receives new lettering citing Donald J. Trump's 38,000 mentions in Epstein files. The addition follows a painter's declaration that the name now appears on the building. The piece frames the reference as the mechanism granting Trump association with the institution.
Richard and Liz Uihlein, heirs to the Schlitz fortune and owners of Uline, have donated millions to right-wing candidates and causes. Their support helped organize the January 6 rally and advanced anti-union, anti-tax, and anti-LGBTQ policies. The cartoon portrays their growing influence as corrosive to democratic norms.
A new Supreme Court ruling on mail-in votes has drawn a sharp reaction from President Donald Trump. The decision appears to restrict certain ballot practices ahead of future elections. In the cartoon, the gavel smashes into the presidential podium where Trump stands, sending papers flying. Trump is depicted with an angry expression, leaning forward as the impact occurs. The image uses the visual of the striking gavel to illustrate the direct effect of the ruling on the administration. The cartoon was published on September 16, 2026, by artist Monte Wolverton.
Donald Trump has repeatedly attributed policy shortcomings and political setbacks to his predecessor Joe Biden throughout 2026. This pattern continues a long-standing approach of shifting responsibility rather than addressing current challenges directly. The editorial position criticizes this tactic as evasive and unhelpful for resolving real governance problems.
On September 16, 2026, the cartoon responds to growing public alarm over rapid AI development and its potential to disrupt or destroy human society. Donald Trump appears bound to an AI dragon, symbolizing political entanglement with the technology. The piece argues that such alliances accelerate humanity's peril rather than mitigate it, urging caution in policy and leadership choices around emerging tech.
The cartoon by Dave Granlund depicts Donald Trump Jr in a military uniform dancing as a wedding cake collapses. A speech bubble has him claiming Putin's pal bankrolled the lavish wedding. A sign reads Dancing with the Czars. The image responds to ongoing allegations of Russian financial ties to the Trump family. It uses visual metaphors of dance and falling cake to highlight perceived influence. The publication date of September 16 2026 places it in a period of renewed scrutiny over foreign funding in U.S. politics. The work critiques the relationship without naming a single breaking event.
On September 15, 2026, commentary emerged around reports of Russian oligarch involvement in events tied to Donald Trump Jr. and Bettina. The development raises questions about foreign influence on the Trump family. The piece argues such connections undermine claims of independence from external interests.
The cartoon splits the Iran Hostage Crisis into 1979 and 2026 panels. In the first Trump appears elated while an Iran-labeled figure holds a gas pump. In the second Trump looks distressed with the same figure present. The piece uses the visual contrast to comment on how Iran-related pressures affect US political figures differently over time.
The cartoon by Dave Whamond depicts Donald Trump as Marie Antoinette on a balcony declaring 'LET THEM EAT CAKE!!' while a crowd below protests with signs and questions who can afford cake. Published on September 15, 2026, the image draws on the historical quote to comment on contemporary affordability concerns during Trump's term. The visual contrasts the elevated figure with an agitated crowd holding anti-Trump signs. It captures ongoing public discontent with rising costs. The piece uses the famous anecdote to underscore perceptions of detachment from everyday economic pressures.
Senator Mike Lee publicly questioned adherence to traditional legal standards in favor of alignment with Donald Trump priorities on voting matters. The exchange highlights ongoing tensions between institutional norms and political loyalty within Republican circles. The cartoon portrays this shift as a direct challenge to foundational legal principles.
Donald Trump has long projected outsized personal branding onto public institutions and symbols. In this 2026 depiction the former president appears to claim the planet itself. The move reflects an ongoing pattern of self-centered rhetoric that treats national and international assets as extensions of his identity. Critics argue such gestures erode norms of public service and institutional independence. Supporters view them as bold assertions of leadership strength. The cartoon captures the tension between personal ambition and collective governance.
The cartoon by Dave Whamond published September 15, 2026, shows Donald Trump responding to citizen concerns about prices, tariffs on Canada, trade wars, school shootings and transgender flags by pivoting to a ballroom project and renaming Lake Ontario. The four-panel layout underscores a pattern of tone-deaf replies that ignore the original requests.
A new political cartoon depicts Donald Trump holding a sign declaring AI risk a hoax beside a robot labeled AI that warns of exterminating humanity. The image, published September 14, 2026, by artist Bart van Leeuwen, contrasts the two figures with bottom labels reading Mr. Artificial Intelligence and Mr. No Intelligence. It responds to ongoing public discussion about artificial intelligence safety and regulation. Trump has previously downplayed concerns about advanced AI systems in public statements. The cartoon uses visual contrast to critique dismissal of potential technological threats.
